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Plink, plank, plunk!

composer
1954

 
With the pizzicato piece Plink, Plank, Plunk! (1954), Anderson demonstrates his remarkable use of original effects by complementing the plucked strings with other sounds created by the string players rubbing the palms of their hands across the faces of their instruments.

from notes by Andrew Lamb © 1998

dans la pièce en pizzicato Plink, Plank, Plunk! (1954), Anderson démontre son extraordinaire capacité à user d’effets originaux, telle l’adjonction aux cordes en pizzicato d’autres sonorités créées par les contrebassistes frottant leurs paumes contre les faces de leurs instruments.

extrait des notes rédigées par Andrew Lamb © 1998
Français: Hypérion

In Pizzicato-Stück Plink, Plank, Plunk! (1954) demonstriert Anderson seinen ungewöhnlichen Einsatz von originellen Effekten, indem er die gezupften Saiteninstrumente mit anderen, von den Kontrabaßspielern durch Reiben der Handflächen über den Resonanzboden ihrer Instrumente produzierten Klängen vervollständigt.

aus dem Begleittext von Andrew Lamb © 1998
Deutsch: Anke Vogelhuber

Recordings

American Light Music Classics
CDA67067

Track-specific metadata for CDA67067 track 14

Artists
ISRC
GB-AJY-98-06714
Duration
2'28
Recording date
10 February 1998
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Oliver Rivers
Recording engineer
Tony Faulkner
Hyperion usage
  1. American Light Music Classics (CDA67067)
    Disc 1 Track 14
    Release date: June 1998
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