Hyperion Records

Salve regina à trois chœurs
author of text
Antiphon to the Virgin Mary from Trinity until Advent

'Charpentier: Mass for four choirs' (CDA67435)
Charpentier: Mass for four choirs
Buy by post £10.50 CDA67435 

Salve regina à trois chœurs
In the Salve regina à trois chœurs, the third choir is treated differently from the other two. Whereas they are in four parts, this is in three parts only. Moreover, it enters only at the second section and is consistently labelled ‘exules’ (‘exiles’). These factors, together with the soloistic nature of the individual lines, support the idea that this ‘choir’ was a trio of soloists. The term ‘exules’ might further suggest that it was spatially separated from the others. The work falls into three sections. The first is characterized by a clear reference to the Salve regina plainsong in the opening vocal entries. In the second, Charpentier graphically paints the emotive text; at the reference to ‘this valley of tears’ there is a chromatic descent in all parts resulting in strikingly dissonant harmonies. It was surely such expressive harmony that inspired Serré de Rieux to comment (1734) that ‘ninths and tritones sparkled in [Charpentier’s] hands’. Towards the end of the Salve regina, repetitions of the apostrophe ‘O’ are grouped in threes and scored in turn for the whole ensemble, then the first choir, and finally the ‘exiles’, producing a double-echo effect.

from notes by Shirley Thompson © 2004

Track-specific metadata
Details for CDA67435 track 1
Recording date
1 February 2003
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Julian Millard
Hyperion usage
  1. Charpentier: Mass for four choirs (CDA67435)
    Disc 1 Track 1
    Release date: January 2004
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