Deux Mélodies russes 'Arabesques', S250

composer

1842

composer

Alexander Alexandrovich Alyabyev (1787-1851)

Recordings

Liszt: The complete music for solo piano, Vol. 35 – Arabesques
Leslie Howard (piano)

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CDA66984

Liszt: Complete Piano Music
Leslie Howard (piano)

Play all extracts from this album MP3 £200.00
FLAC £200.00
ALAC £200.00
Buy by post £250.00
CDS44501/98 99CDs Boxed set + book (at a special price)

Details

No 1: Solovei 'Le rossignol' (second version)

Leslie Howard (piano)

Track 1 on CDA66984 [4'07]

Track 1 on CDS44501/98 CD53 [4'07] 99CDs Boxed set + book (at a special price)

No 2: Chanson bohémienne

Leslie Howard (piano)

Track 2 on CDA66984 [7'58]

Track 2 on CDS44501/98 CD53 [7'58] 99CDs Boxed set + book (at a special price)

Deux Mélodies russes 'Arabesques', S250

EnglishFrançaisDeutsch

The two transcriptions which Liszt eventually issued together under the title Arabesques were conceived separately, and Solovei appeared in an earlier, rather boisterous version with a title page which attempted to make Cyrillic letters from Roman ones—with laughable results. The revised version used to be a staple encore piece, refashioning a charming song by a rather neglected minor Russian master with attractive emphasis on the imitation of the nightingale’s song. The printed editions of the Chanson bohemienne make no mention of the melody’s origins, but it seems to be the work of one Pyotr Petrovich Bulakhov (not to be confused in any way with Konstantin Bulhakov—see below), about whom the present writer is sadly uninformed. As with many of Liszt’s song transcriptions, the piece is tantamount to a set of variations.

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Hyperion Records