Hyperion Records

O splendor gloriae
composer
author of text
Votive antiphons

Recordings
'Taverner: Western Wynde Mass & other sacred music' (CDH55056)
Taverner: Western Wynde Mass & other sacred music
Buy by post £5.50 CDH55056  Helios (Hyperion's budget label)  
'The Sixteen & The Golden Age of Polyphony' (CDS44401/10)
The Sixteen & The Golden Age of Polyphony
Buy by post £38.50 CDS44401/10  10CDs Boxed set (at a special price)  
Details
Track 1 on CDH55056 [10'24] Helios (Hyperion's budget label)
Track 7 on CDS44401/10 CD3 [10'24] 10CDs Boxed set (at a special price)

O splendor gloriae
EnglishFrançaisDeutsch
O splendor gloriae, the final sentence of whose text refers to the Trinity, may well have been associated with Cardinal College whose statutes required the daily singing of antiphons to the Trinity and St William of York, as well as the Virgin Mary.

O splendor gloriae is in many ways the finest of Taverner’s large-scale antiphons. Particularly noteworthy are its clarity of texture and extensive use of imitation. So pervasive and systematic is the imitation in some passages that it led one late sixteenth-century copyist to ascribe the work jointly to Taverner and Tye, a view rejected by modern scholars on the grounds of its stylistic consistency. Another ‘progressive’ feature is the occasional repetition of text in the latter part of the piece, reflecting the gradual trend away from an abstract melismatic style towards a more directly expressive ‘Renaissance’ manner. The sectional structure, contrasting reduced ‘soloistic’ combinations with full five-part sections which exploit the high treble compass, is characteristically English in conception, and the work stands as testimony to the vocal and musical accomplishments of pre-reformation choral foundations.

from notes by John Heighway © 2000

Track-specific metadata
Click track numbers opposite to select

   English   Français   Deutsch