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Trop est mes maris jalos

composer
author of text

 
Let’s not forget the ordinary kind of love, which often resulted in marriage, after which familiarity bred contempt. The French expressed this staple ingredient of the human condition best, in their ‘songs of the ill-wed’, and Trop est mes maris jalos is a splendid, earthy example of sisters doing it for themselves.

from notes by Catherine Bott © 2006

N’oublions pas pour autant l’amour ordinaire, qui se traduisait souvent par un mariage, dans le sillage duquel la familiarité engendrait le mépris. Ce furent les Français qui exprimèrent le mieux cet élément fondamental de la condition humaine dans leurs «chansons de malmariées», dont Trop est mes maris jalos, qui met en scène des sœurs, est une splendide et truculent exemple.

extrait des notes rédigées par Catherine Bott © 2006
Français: Hypérion

Vergessen wir auch nicht die übliche Form der Liebe, die oft in Heirat endete, woraufhin allzu enge Vertrautheit zu Verachtung zu führen pflegte. Die Franzosen brachten dieses Grundelement des mensclichen Zusammenlebens in ihren „Liedern schlechter Ehe“ am besten zum Ausdruck, und Trop est mes maris jalos ist ein großartig derbes Beispiel dafür, wie die „Schwestern“ sich selbt helfen.

aus dem Begleittext von Catherine Bott © 2006
Deutsch: Anne Steeb/Bernd Müller

Recordings

Delectatio angeli
CDA67549

Details

Track 6 on CDA67549 [3'28]

Track-specific metadata for CDA67549 track 6

Artists
ISRC
GB-AJY-06-54906
Duration
3'28
Recording date
1 April 2001
Recording venue
Angel Studios, Islington, London, United Kingdom
Recording producer
Catherine Bott & Stephen Henderson
Recording engineer
Steve Price & Mat Bartram
Hyperion usage
  1. Delectatio angeli (CDA67549)
    Disc 1 Track 6
    Release date: January 2006
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