A — I
B — J
C — K
D — L
E — M
F — N
G — O
H — P etc
such that ALAIN comes out as ADAAF. In the final section of the Prélude, Duruflé quotes the theme of Alain’s most popular work, Litanies. The double fugue is a stunning example of contrapuntal writing. The two fugue subjects are expounded separately in compound time: the first is written in quavers, the second in semiquavers. The composer uses the first fugue subject in inversion and stretto; the tension is heightened by closing the distance between the subject entries of the stretto, and the whole ends in a blaze of glory.
from notes by William McVicker © 1990
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