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Herzlich tut mich verlangen, BWV727
composer
Johann Sebastian Bach (1685-1750)
1708/17; Weimar
arranger
Sir William Walton (1902-1983)
commissioned by Harriet Cohen and first published by Oxford University Press in A Bach Book for Harriet Cohen; first performed at the Queen's Hall on 17 October 1932

Recordings
'Bach Arrangements' (CDA67309)
Bach Arrangements
Angela Hewitt (piano)
'Bach: Piano Transcriptions, Vol. 7 – Max Reger' (CDA67683)
Bach: Piano Transcriptions, Vol. 7 – Max Reger
Markus Becker (piano)
MP3 £7.99
FLAC £7.99
ALAC £7.99
Buy by post £13.99
CDA67683  2CDs for the price of 1  
'Bach: Piano Transcriptions, Vol. 9 – A Bach Book for Harriet Cohen' (CDA67767)
Bach: Piano Transcriptions, Vol. 9 – A Bach Book for Harriet Cohen
Jonathan Plowright (piano)
'Bach: The Clavierübung Chorales & other great chorales' (CDA67213/4)
Bach: The Clavierübung Chorales & other great chorales
Christopher Herrick (organ)
MP3 £7.75
FLAC £7.75
ALAC £7.75
Buy by post £27.98 (ARCHIVE SERVICE)
CDA67213/4  2CDs Archive Service Only   Download currently discounted
'Bach: The Complete Organ Works' (CDS44121/36)
Bach: The Complete Organ Works
Christopher Herrick (organ)
MP3 £60.00
FLAC £60.00
ALAC £60.00
 CDS44121/36  16CDs Boxed set (at a special price) — 16CDs Deleted  
Details
Christopher Herrick (organ)
Track 22 on CDA67213/4 CD2 [2'18] 2CDs Archive Service Only Copyright holder as reported by MCPS: Public Domain
Angela Hewitt (piano)
Track 11 on CDA67309 [2'36] Copyright holder as reported by MCPS: Oxford University Press
English Français Deutsch
Markus Becker (piano)
Track 7 on CDA67683 CD1 [1'46] 2CDs for the price of 1 Copyright holder as reported by MCPS: Public Domain
Jonathan Plowright (piano)
Track 15 on CDA67767 [2'39] Copyright holder as reported by MCPS: Oxford University Press
Christopher Herrick (organ)
Track 22 on CDS44121/36 CD13 [2'18] 16CDs Boxed set (at a special price) — 16CDs Deleted Copyright holder as reported by MCPS: Public Domain

Herzlich tut mich verlangen, BWV727
EnglishFrançaisDeutsch
William Walton, in 1932 still a young rising star of British music, contributed a ‘free arrangement’ of Bach’s early chorale Herzlich tut mich verlangen BWV727. Walton’s freedoms are nothing like as radical as Vaughan Williams’s, but they include frequent changes of register—taking the left hand to the remotest end of the piano at one spot—octave doublings, and the addition of staccato markings to some phrases. (Walton would return to this piece in 1940 and orchestrate it as the fourth movement of his ballet The Wise Virgins, which is entirely made up of Bach arrangements.)

from notes by Calum MacDonald © 2010

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