Hyperion Records

Wachet auf, ruft uns die Stimme, BWV645
composer
circa 1748/9; Schübler Chorale No 1; arrangement of Cantata 140 movement 4
arranger

Recordings
'Bach Arrangements' (CDA67309)
Bach Arrangements
Buy by post £10.50 CDA67309 
'Bach: Piano Transcriptions, Vol. 2 – Ferruccio Busoni' (CDA67324)
Bach: Piano Transcriptions, Vol. 2 – Ferruccio Busoni
Buy by post £10.50 CDA67324 
'Bach: Piano Transcriptions, Vol. 3 – Friedman, Grainger & Murdoch' (CDA67344)
Bach: Piano Transcriptions, Vol. 3 – Friedman, Grainger & Murdoch
Buy by post £5.25 CDA67344  Please, someone, buy me …  
'Bach: Piano Transcriptions, Vol. 9 – A Bach Book for Harriet Cohen' (CDA67767)
Bach: Piano Transcriptions, Vol. 9 – A Bach Book for Harriet Cohen
Buy by post £10.50 CDA67767 
'Bach: Sonatas & Chorales' (CKD275)
Bach: Sonatas & Chorales
CKD275  Download only  
'Bach: Wachet auf!' (CDA67071/2)
Bach: Wachet auf!
Buy by post £27.98 (ARCHIVE SERVICE) CDA67071/2  2CDs Archive Service   Download currently discounted
'Bach: The Complete Organ Works' (CDS44121/36)
Bach: The Complete Organ Works
CDS44121/36  16CDs Boxed set (at a special price) — Deleted  
Details
Track 1 on CDA67071/2 CD1 [5'32] 2CDs Archive Service
Track 4 on CDA67309 [4'18]
Track 5 on CDA67324 [3'07]
Track 5 on CDA67767 [4'58]
Track 5 on CKD275 [4'05] Download only
Track 1 on CDS44121/36 CD10 [5'32] 16CDs Boxed set (at a special price) — Deleted
Arrangement: Morning Song
Track 9 on CDA67344 [3'36] Please, someone, buy me …

Wachet auf, ruft uns die Stimme, BWV645
EnglishFrançaisDeutsch
A perfect example of how Bach used the same music in different scorings is the well-known chorale prelude for organ, Wachet auf, ruft uns die Stimme, BWV645 (‘Awake, the voice is sounding’) which also appears as the fourth movement of the cantata of the same name, No 140, where it is titled ‘Zion hört die Wächter singen’. The organ prelude is a trio, with the hymn tune ringing out in the left hand below a swinging, almost ‘catchy’ counter-melody in the right, the whole above a springy bass in the pedals. In the cantata version, the chorale is sung by a tenor soloist, the other melody is played by the strings, with the continuo filling in a figured bass. It is this latter version that Kempff is thinking of in his transcription. The words come from the second verse of the hymn by Philipp Nicolai (1599). Sung at the end of the Church year, before Advent, the initial call of ‘Sleepers, wake!’ is followed by ‘Arise, the bridegroom is coming, prepare for the wedding!’. The bride, Zion, reacts:

Zion hört die Wächter singen,
Das Herz tut ihr vor Freuden springen,
Sie wachet und steht eilend auf.
Ihr Freund kommt vom Himmel prächtig,
Von Gnaden stark, von Wahrheit mächtig,
Ihr Licht wird hell, ihr Stern geht auf.
Nun komm, du werte Kron,
Herr Jesu, Gottes Sohn!
Hosianna!
Wir folgen all
Zum Freudensaal
Und halten mit das Abendmahl.
Zion hears the watchmen singing,
Her beating heart with joy is springing,
She wakens and with speed arises.
Her friend appears in heaven’s glory,
Strong in Grace, in truth his story,
His light is bright, his star surprises.
Now come, you worthy crown,
Lord Jesus, God’s own Son!
Hosannah!
We all follow
To the hall of joy beyond compare,
The Lord’s own Supper there to share!

Transcriptions are often awkward to play because of their very nature, and this one demands that the counter-melody be played by the outer, weaker fingers of the right hand. Kempff talked about the importance of a true legato (necessary for any good Bach playing), and it is just as important in his transcriptions as in the ‘real’ Bach.

from notes by Angela Hewitt © 2001

Track-specific metadata
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Details for CDA67309 track 4
Artists
ISRC
GB-AJY-01-30904
Duration
4'18
Recording date
4 April 2001
Recording venue
Henry Wood Hall, London, United Kingdom
Recording producer
Ludger Böckenhoff
Recording engineer
Ludger Böckenhoff
Hyperion usage
  1. Bach Arrangements (CDA67309)
    Disc 1 Track 4
    Release date: August 2001
Licensing
1.Film The Life Aquatic, directed by Wes Anderson, 2004
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