Hyperion Records

Duet in E minor, BWV802
composer

Recordings
'Bach: Angela Hewitt plays Bach' (CDS44421/35)
Bach: Angela Hewitt plays Bach
Buy by post £50.00 CDS44421/35  15CDs Boxed set (at a special price)  
'Bach: Italian Concerto & French Overture' (CDA67306)
Bach: Italian Concerto & French Overture
Buy by post £10.50 CDA67306 
'Bach: Organ Miniatures' (CDA67211/2)
Bach: Organ Miniatures
Buy by post £27.98 (ARCHIVE SERVICE) CDA67211/2  2CDs Archive Service  
'Bach: The Art of Fugue' (CDA66631/2)
Bach: The Art of Fugue
Buy by post £20.00 CDA66631/2  2CDs  
'Bach: The Complete Organ Works' (CDS44121/36)
Bach: The Complete Organ Works
CDS44121/36  16CDs Boxed set (at a special price) — Deleted  
Details
Track 11 on CDA67306 [2'45]
Track 11 on CDS44421/35 CD12 [2'45] 15CDs Boxed set (at a special price)
Track 3 on CDA66631/2 CD1 [2'42] 2CDs
Track 17 on CDA67211/2 CD1 [2'44] 2CDs Archive Service
Track 17 on CDS44121/36 CD5 [2'44] 16CDs Boxed set (at a special price) — Deleted

Duet in E minor, BWV802
EnglishFrançaisDeutsch
Far removed from the world of the Italian Concerto and French Overture are the Four Duets, BWV802–805. They are curiously included in the third volume of Clavierübung, published by Bach himself in 1739. This is otherwise a collection of works for organ, and certainly their two voices (hence ‘Duets’) sound just as well on that instrument as on any other. They resemble the two-part Inventions, but are much more characteristic of Bach’s later style. Written in ascending keys, the first in E minor opens with a scale but then tacks on an awkward figure that can be very clumsy to play. It reminds me of the A minor Prelude from Book II of The Well-Tempered Clavier, with its chromaticisms and invertible counterpoint. The second in F major starts out happily enough, but then proceeds to a middle section almost entirely written in canon and with quite a wild subject. The third in G major is perhaps the most immediately attractive with its lovely pastoral rhythm in 12/8 time. Finishing in the key of A minor, the fourth duet is rather rugged and angular, with two chromatic sequences bringing some startling harmonic progressions. To the usual dedication ‘for music lovers to refresh their spirits’ Bach adds ‘and especially for connoisseurs of such work’. These four duets are definitely ‘musicians’ music’ which, despite their beauty, makes them relatively obscure.

from notes by Angela Hewitt © 2001

Track-specific metadata
Click track numbers opposite to select

Details for CDA67306 track 11
Artists
ISRC
GB-AJY-00-30611
Duration
2'45
Recording date
7 October 2000
Recording venue
Henry Wood Hall, London, United Kingdom
Recording producer
Ludger Böckenhoff
Recording engineer
Ludger Böckenhoff
Hyperion usage
  1. Bach: Italian Concerto & French Overture (CDA67306)
    Disc 1 Track 11
    Release date: January 2001
  2. Bach: Angela Hewitt plays Bach (CDS44421/35)
    Disc 12 Track 11
    Release date: September 2010
    15CDs Boxed set (at a special price)
   English   Français   Deutsch