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Hyperion Records

Nocturne in E flat major, Op 9 No 2
composer
1830/2; published in 1832; dedicated to Camille Pleyel

Recordings
'Moriz Rosenthal – The complete recordings' (APR7503)
'Casals Encores' (CDA67831)
'Chopin: Nocturnes' (CDD22013)
'Chopin: Nocturnes & Impromptus' (CDA67371/2)
'Chopin: The Complete Waltzes' (CDA67849)
'Chopin: The Complete Works' (CDS44351/66)
'Alfred Cortot – The Late Recordings, Vol. 3 – Chopin & Mendelssohn' (APR5573)
'Eileen Joyce – The complete Parlophone & Columbia solo recordings' (APR7502)
'Chopin: Nocturnes & Impromptus' (SACDA67371/2)
Chopin: Nocturnes & Impromptus
This album is not yet available for download SACDA67371/2  2CDs Super-Audio CD — 2CDs Deleted  
Details
Track 1 on APR5573 [4'08] Copyright holder as reported by MCPS: Public Domain
Track 12 on APR7502 CD1 [4'42] 5CDs Copyright holder as reported by MCPS: Public Domain
Track 31 on APR7503 CD1 [4'33] 5CDs Copyright holder as reported by MCPS: Public Domain
Track 32 on APR7503 CD1 [4'32] 5CDs Copyright holder as reported by MCPS: Public Domain
Track 10 on APR7503 CD3 [4'21] 5CDs Copyright holder as reported by MCPS: Public Domain
Track 9 on APR7503 CD4 [4'10] 5CDs Copyright holder as reported by MCPS: Public Domain
Track 4 on CDA67371/2 CD1 [4'34] 2CDs Copyright holder as reported by MCPS: Public Domain
Track 6 on CDA67831 [4'14] Copyright holder as reported by MCPS: Public Domain
Track 21 on CDA67849 [3'52] Copyright holder as reported by MCPS: Public Domain
Track 4 on CDD22013 CD1 [3'58] 2CDs Dyad (2 for the price of 1) Copyright holder as reported by MCPS: Public Domain
Track 2 on CDS44351/66 CD8 [5'14] 16CDs Boxed set (at a special price) Copyright holder as reported by MCPS: Public Domain
Track 4 on SACDA67371/2 CD1 [4'34] 2CDs Super-Audio CD — 2CDs Deleted Copyright holder as reported by MCPS: Public Domain

Nocturne in E flat major, Op 9 No 2
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Set amid Chopin’s ruminations in waltz-form on the idea of musical popularity, the Nocturne in E flat major, Op 9 No 2, represents the perfect companion. In this most admired of his nocturnes, we can hear distant echoes of the accompanimental patterns of the waltz, here rendered with greater subtlety, and in the service of lyrical expression.

from notes by Jeffrey Kallberg © 2011

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