Hyperion Records

They say you're angry, Z422
composer
1685
author of text

Recordings
'Purcell: Secular solo songs, Vol. 1' (CDA66710)
Purcell: Secular solo songs, Vol. 1
Buy by post £13.99 (ARCHIVE SERVICE) CDA66710  Archive Service; also available on CDS44161/3   Download currently discounted
'Purcell: The complete secular solo songs' (CDS44161/3)
Purcell: The complete secular solo songs
Buy by post £16.50 CDS44161/3  3CDs Boxed set (at a special price)  
Details
Track 12 on CDA66710 [2'30] Archive Service; also available on CDS44161/3
Track 12 on CDS44161/3 CD1 [2'30] 3CDs Boxed set (at a special price)

They say you're angry, Z422
The text of They say you’re angry was by the distinguished poet Abraham Cowley and published as ‘The Rich Rival’ in The Mistresse (1647). Cowley (1618–1667) was the leading English poet of his time, a notable character (briefly imprisoned on suspicion of being a spy) and responsible for introducing the irregular Pindaric ode form which was later taken up by Dryden and others. Like Purcell, his talent was obvious at an early age, for his first poem was written when he was only ten years old. Cowley’s writing was much admired. Charles II said at his death ‘that Mr Cowley had not left a better man behind him in England’, and Cowley was buried in Westminster Abbey.

Purcell’s setting of the poem first appeared in print in the second book of The Theatre of Music (1685). The poet directs a diatribe at a rival who is rich and of high social rank. Our lover tells his enemy that his money and possessions give him far more power and influence – and in this case, sexual attraction – than his powers of rhetoric deserve. As the music moves from the opening semi-recitative into arioso, the poet tells the rich man that the next time he sees the lady who is attracting both their attentions, he will tell her ‘How worthless thou art of her bed’; the rival’s only answer to the poet’s superior intellect will be to offer jewels and a huge ‘Jointure’ (money that is settled on the wife in a marriage agreement; this would give the wife greater independence in what is effectively the opposite of a dowry). As he hurls insults at the rival and his ‘friends that dote and domineer’, the poet admits that matters of love are in the hands of the gods. In the final, lyrical triple-time arioso our lover makes it quite clear that his love for the lady would be the same whether she were a beggar or an empress. The tail does contain a sting, for the poet admits that, if the lady were as true to him as he to her (and he knows from her two-timing that she clearly isn’t), the rival would stand no chance.

from notes by Robert King 2003

Track-specific metadata
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Details for CDS44161/3 disc 1 track 12
Artists
ISRC
GB-AJY-94-71012
Duration
2'30
Recording date
29 March 1994
Recording venue
Orford Church, Suffolk, United Kingdom
Recording producer
Ben Turner
Recording engineer
Philip Hobbs
Hyperion usage
  1. Purcell: Secular solo songs, Vol. 1 (CDA66710)
    Disc 1 Track 12
    Release date: March 1994
    Deletion date: February 2010
    Archive Service; also available on CDS44161/3
  2. Purcell: The complete secular solo songs (CDS44161/3)
    Disc 1 Track 12
    Release date: November 2003
    3CDs Boxed set (at a special price)
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