Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
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Tavener’s inspiration has been religious texts and the writings of religious mystics. For many years he was organist at a Presbyterian Church, although his interest lay in Roman Catholicism. The year 1977 was a turning point for the composer for he converted to the Orthodox Church. He described this conversion as having the sensation of ‘coming home’. It is in the field of sacred music that this composer has laid out his most significant musical ideas. ‘Art’, says the composer, ‘cannot renew the sacred, but it can be a vehicle for the sacred.’ Characteristic of Tavener’s music is a tendency to inner stillness through sustained chords, and a preoccupation with aspects of religious ritual—such as a solemn procession. The ecstatic nature of his music has inevitably led to comparisons with the music of Olivier Messiaen.
I will lift up mine eyes was completed on 9 November 1989. For unaccompanied choir, it was commissioned by the 1990 City of London Festival. The first performance was given in St Paul’s Cathedral on July 8 of that year, by the choir of St Paul’s conducted by John Scott. The words of Psalm 121 are set homophonically in a series of simple harmonies, scored in such a way as to achieve a rich choral sonority. The mood changes in intensity between sections, some of which are sung over a sustained B in the bass part.
from notes by William McVicker © 1991
|Hear my prayer|
This recording features St Paul’s Cathedral Choir at the peak of their power, performing a yearning sequence of liturgical works that includes some of the best-loved choral works of all time: Mendelssohn’s ‘Hear my prayer’ (‘O for the wings of a d ...» More
|Tavener: Missa Wellensis & other sacred music|
Wells Cathedral Choir celebrates the life and works of the late British composer Sir John Tavener. The programme is centred around his Missa Wellensis and includes several premiere recordings of works commissioned especially for the choir.» More