Hyperion Records

Magnificat and Nunc dimittis in D minor
Besides Wesley, Thomas Attwood Walmisley (1814–1856) was the composer most instrumental in raising the tradition of English church music out of the mire into which it had sunk earlier in the nineteenth century. Walmisley’s exceptional abilities as choir trainer and organist led him to Cambridge in 1833, where he was appointed joint organist at Trinity and St John’s Colleges. He was elected Professor of Music at Cambridge in 1836. As a composer, Walmisley left to posterity a sizeable and varied corpus of works. However, with the exception of one isolated composition of pure genius, the Magnificat and Nunc dimittis in D minor, his music has fallen into obscurity. Composed in 1855, this late work is the most mature of all Walmisley’s service settings. Though reminiscent of a Tudor faux bourdon setting in its construction, the adventurous harmonic language, expressive yet un-sentimental approach to text-setting, and the brilliance and independence of the organ-writing make it a most original and memorable Service.

from notes by Sarah Langdon 1987

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Details for CDA66249 track 4
Nunc dimittis
Artists
ISRC
GB-AJY-87-24904
Duration
2'41
Recording date
20 March 1987
Recording venue
St Paul's Cathedral, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. My soul doth magnify the Lord (CDA66249)
    Disc 1 Track 4
    Release date: December 1987
    Deletion date: June 2009
    Superseded by CDH55401
  2. My soul doth magnify the Lord (CDH55401)
    Disc 1 Track 4
    Release date: October 2010
    Helios (Hyperion's budget label)
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