Hyperion Records

Beatus vir, RV598
Beatus vir RV598, a setting in B flat major of Psalm 111 (112), is unique among Vivaldi’s surviving sacred vocal works for one coro in being in a single movement but requiring both choir and soloists. It must have been written for the Pietà during Vivaldi’s first period there (1713–1719). The Psalm text, with nine verses (not counting the Doxology), is far from short and obliges Vivaldi to compose a movement of truly exceptional proportions—420 bars in 2/4 metre. Its style and form are based on that of the instrumental concerto, but on a hugely expanded scale. RV598 contains no fewer than twenty-five separate sections (ritornellos or episodes) and visits six keys besides the tonic. In structural terms, both the choir and the three solo voices (singly or in combination) act in the manner of soloists in an instrumental concerto; for the sake of balance and variety their appearances are judiciously alternated. Admirable, too, is Vivaldi’s thematic economy; an easily recognized cadential phrase of six notes underpins the whole movement.

from notes by Michael Talbot © 1997

Track-specific metadata
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Details for CDA66789 track 16
Recording date
7 January 1997
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Ben Turner
Recording engineer
Philip Hobbs
Hyperion usage
  1. Vivaldi: Sacred Music, Vol. 3 (CDA66789)
    Disc 1 Track 16
    Release date: May 1997
  2. Vivaldi: The Complete Sacred Music (CDS44171/81)
    Disc 3 Track 16
    Release date: October 2005
    11CDs Boxed set (at a special price)
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