Hyperion Records

Clarae stellae, scintillate, RV625
composer
1715
author of text

Recordings
'Vivaldi: Sacred Music, Vol. 2' (CDA66779)
Vivaldi: Sacred Music, Vol. 2
Buy by post £5.25 CDA66779  Please, someone, buy me …   Download currently discounted
'Vivaldi: The Complete Sacred Music' (CDS44171/81)
Vivaldi: The Complete Sacred Music
Buy by post £40.00 CDS44171/81  11CDs Boxed set (at a special price)  
Details
Movement 1: Clarae stellae, scintillate
Track 9 on CDA66779 [5'22] Please, someone, buy me …
Track 9 on CDS44171/81 CD2 [5'22] 11CDs Boxed set (at a special price)
Movement 2: Caeli repleti iam novo splendore
Track 10 on CDA66779 [0'42] Please, someone, buy me …
Track 10 on CDS44171/81 CD2 [0'42] 11CDs Boxed set (at a special price)
Movement 3: Nunc iubilare
Track 11 on CDA66779 [2'21] Please, someone, buy me …
Track 11 on CDS44171/81 CD2 [2'21] 11CDs Boxed set (at a special price)
Movement 4: Alleluia
Track 12 on CDA66779 [2'24] Please, someone, buy me …
Track 12 on CDS44171/81 CD2 [2'24] 11CDs Boxed set (at a special price)

Clarae stellae, scintillate, RV625
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Vivaldi’s motet Clarae stellae, scintillate, RV625, whose text shows it to have been written for the Pietà’s patronal festival, the Visitation of the Blessed Virgin Mary on 2 July, probably dates from 1715. Eighteenth-century motet texts are rarely distinguished examples of Latin poetry—the French traveller Pierre Jean Grosley called them ‘un mauvais assemblage rimé de mots latins, où les barbarismes et les solécismes sont plus communs que le sens et la raison’ [a rhyming hotch-potch of Latin words, in which barbarisms and solecisms are more frequent than sense and reason]. The present text is true to type. The first aria asks the stars to blaze brightly on so important an occasion; the recitative identifies the Marian feast as the cause of celebration; the final aria, followed by the statutory ‘Alleluia’ movement, calls on all creation to rejoice.

The cheerful, almost naïve, style of the opening aria sets the tone for the whole work. In the bouncy second aria, Vivaldi renounces the customary da capo (ABA) structure and casts the movement in what one could term ‘chain form’: there are five different vocal sections (three of them marked to be repeated), each presenting a different portion of text. This loose kind of structure, clearly alluding to dance-music, is very characteristic of Vivaldi’s vocal music (including his operatic arias) in the 1710s. The ‘Alleluia’ wavers between F minor and F major in a manner also familiar from Vivaldi’s other music at that time.

from notes by Michael Talbot © 1996

Track-specific metadata
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Details for CDS44171/81 disc 2 track 9
Movement 1: Clarae stellae, scintillate
Artists
ISRC
GB-AJY-96-77909
Duration
5'22
Recording date
14 February 1996
Recording venue
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Recording producer
Ben Turner
Recording engineer
Philip Hobbs
Hyperion usage
  1. Vivaldi: Sacred Music, Vol. 2 (CDA66779)
    Disc 1 Track 9
    Release date: May 1996
    Please, someone, buy me …
  2. Vivaldi: The Complete Sacred Music (CDS44171/81)
    Disc 2 Track 9
    Release date: October 2005
    11CDs Boxed set (at a special price)
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