Hyperion Records

Es rauschen die Winde, S294 First version
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The Berlin critic Ludwig Rellstab published a compilation of reviews and newspaper articles about Liszt in 1842 as a result of the concerts that made Liszt a phenomenon comparable to today’s biggest rock stars. In Rellstab’s words, Liszt would leave Berlin ‘not like a king, but as a king’. Three years later, Liszt set a poem by Rellstab, Es rauschen die Winde, that Schubert had earlier set to music under the title ‘Herbst’ (Autumn), D945, its theme the perennial comparison of autumn to old age and the approach of death. In Liszt’s first version, the persona is agitated and desperate, with certain figures that recall Schubert’s persona in ‘Der stürmische Morgen’ from Winterreise. The memory of springtime in parallel major mode (another song-within-a-song) also seems Schubertian in origin, proof that major mode can be as tragic as minor mode in the hands of great composers.

from notes by Susan Youens 2010

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Details for CDJ33051/3 disc 3 track 25
Artists
ISRC
GB-AJY-06-05325
Duration
3'18
Recording date
12 March 2004
Recording venue
All Saints' Church, East Finchley, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Julian Millard
Hyperion usage
  1. Songs by Schubert's contemporaries (CDJ33051/3)
    Disc 3 Track 25
    Release date: March 2006
    3CDs
  2. Schubert: The Complete Songs (CDS44201/40)
    Disc 40 Track 25
    Release date: October 2005
    40CDs Boxed set + book (at a special price)
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