Hyperion Records

Sehnsucht, D636
First line:
Ach, aus dieses Tales Gründen
composer
Second version. Beginning of 1821; published in 1826 as Op 39
author of text

Recordings
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 1 – Janet Baker' (CDJ33001)
Schubert: The Hyperion Schubert Edition, Vol. 1 – Janet Baker
Buy by post £13.99 (ARCHIVE SERVICE) CDJ33001  Archive Service; also available on CDS44201/40   Download currently discounted
Details
Track 19 on CDJ33001 [4'29] Archive Service; also available on CDS44201/40
Track 3 on CDS44201/40 CD24 [4'29] 40CDs Boxed set + book (at a special price)

Sehnsucht, D636
This is the second setting of this poem. In the first (D52) the teenage Schubert had made considerable use of recitative but the more mature composer found a way to set the whole as an operatic aria where one section flows easily into the other. Although there are always many instrumental colours demanded of the piano in Schubert song accompaniments it is seldom that a whole orchestra seems explicit in a song. In Sehnsucht there is an orchestral feel from beginning to end and the vocal line is cradled and propelled as it may be in a large set-piece for the stage. Usually when Schubert attempted to create opera in the home he tells a story in ballad or scena, but here it is pure song which is magnified to theatrical proportions. Schiller's text in the grand manner is not, by his standards, of the highest quality; it smacks somewhat of stiff libretto rather than pliable lyric. It is the composer who makes the transitions of mood believable. The piece was intended for a singer of stellar conviction for only such an artist is able to prevent the softer, lyrical passages from losing their bite. The pace of this music is reminiscent of the energy of Gluck and sometimes the melodic curves of Weber come to mind. Certainly the final section (lifted from the first version of 1815) clinches the proceedings in true opera-house manner; here is perfect exit music for the singer to stride off-stage. It brings down the curtain on this recital as it does on Schubert's involvement (except for Der Pilgrim and one more song in 1826) with the poetry of Friedrich von Schiller.

from notes by Graham Johnson © 1988

Track-specific metadata
Click track numbers opposite to select

Details for CDS44201/40 disc 24 track 3
Artists
ISRC
GB-AJY-88-00119
Duration
4'29
Recording date
19 February 1987
Recording venue
Elstree, United Kingdom
Recording producer
Martin Compton
Recording engineer
Antony Howell
Hyperion usage
  1. Schubert: The Hyperion Schubert Edition, Vol. 1 – Janet Baker (CDJ33001)
    Disc 1 Track 19
    Release date: December 1987
    Deletion date: August 2012
    Archive Service; also available on CDS44201/40
  2. Schubert: The Complete Songs (CDS44201/40)
    Disc 24 Track 3
    Release date: October 2005
    40CDs Boxed set + book (at a special price)
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