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Trauer der Liebe, D465

First line:
Wo die Taub’ in stillen Buchen
August 1816; first published in 1885
author of text

This little song is once again about a more chastened, deepened perception of life than the idealism of An Chloen. Marriage has not brought happiness and we are left here thinking only of paradise as an unattainable concept. John Reed calis the style of the music demotic, or popular, and if it this song reminds us of Die Zauberflöte it is because the spirit of Mozart hovers gently on Schubert's shoulder when he decides to ravish us with the simplest of vocal lines, inimitable and unanswerable; after all, he is perhaps the only Lieder master, other than Mozart, who is able to do so. The minor key makes no appearance in this piece, which is surprising for such a melancholy poem, but not surprising when we realise that Schubert always avoided the obvious means of expressing unhappiness through music. There is pathos here, but nothing exceeds the pastoral frame laid down by the conventions of the poetry.

from notes by Graham Johnson © 1990


Schubert: The Complete Songs
CDS44201/4040CDs Boxed set + book (at a special price)
Schubert: The Hyperion Schubert Edition, Vol. 8 – Sarah Walker
CDJ33008Archive Service; also available on CDS44201/40


Track 12 on CDJ33008 [1'54] Archive Service; also available on CDS44201/40
Track 18 on CDS44201/40 CD15 [1'54] 40CDs Boxed set + book (at a special price)

Track-specific metadata for CDJ33008 track 12

Recording date
31 May 1989
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Schubert: The Hyperion Schubert Edition, Vol. 8 – Sarah Walker (CDJ33008)
    Disc 1 Track 12
    Release date: December 1990
    Deletion date: February 2010
    Archive Service; also available on CDS44201/40
  2. Schubert: The Complete Songs (CDS44201/40)
    Disc 15 Track 18
    Release date: October 2005
    40CDs Boxed set + book (at a special price)

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