Hyperion Records

Stimme der Liebe, D418
First line:
Abendgewölke schweben hell
composer
Second version; first published in 189
author of text

Recordings
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
MP3 £130.00FLAC £130.00ALAC £130.00Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 8 – Sarah Walker' (CDJ33008)
Schubert: The Hyperion Schubert Edition, Vol. 8 – Sarah Walker
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDJ33008  Archive Service; also available on CDS44201/40  
Details
Track 3 on CDJ33008 [2'01] Archive Service; also available on CDS44201/40
Track 5 on CDS44201/40 CD14 [2'01] 40CDs Boxed set + book (at a special price)

Stimme der Liebe, D418
The first version from 1815 (Volume 7) is a melodic delight with its gentle Mozartian elegance, but here we have much more overt passion. Capell calis this song 'placid'—which may apply to the first version but not to this re-working of the text. It resembles, on the printed page, the reflective litany of Goethe's Nähe des Geliebten (Volume 1), and the great inner passion stoking that song, strophe by strophe, to ever more rapturous emotion, also pulsates through Stimme der Liebe: we hear the ebullience of nature on the move. Schubert invents an accompaniment which is superbly suited to many an idea in the poem. Firstly, its rolling progress (impossible for the singer if it is too slow), conveys the ecstasy of the whole, but then it is appropriate also for the song of crickets, throbbing with the vibrancy of a summer night, more recklessly than in the measured homely song of Der Einsame. In the second verse the idea of whispering and rustling can also be caught by the piano (with a change of dynamic of course), and the idea of the airy footsteps of 'Zephyrtritt' goes equally well with the piano's pacings. John Reed is right to point out that such an accompaniment became a cliché in nineteenth-century song, but here it is used with totally convincing freshness. Place on top of it a generous and open-hearted vocal line with a wonderful sequence (starting with Hesperus's lordly overview) of D minor to A minor, answered by a move from C minor to G major, and we have a page of absolutely inimitable Schubert.

from notes by Graham Johnson © 1990

Track-specific metadata
Click track numbers opposite to select

Details for CDS44201/40 disc 14 track 5
Artists
ISRC
GB-AJY-90-00803
Duration
2'01
Recording date
31 May 1989
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Schubert: The Hyperion Schubert Edition, Vol. 8 – Sarah Walker (CDJ33008)
    Disc 1 Track 3
    Release date: December 1990
    Deletion date: February 2010
    Archive Service; also available on CDS44201/40
  2. Schubert: The Complete Songs (CDS44201/40)
    Disc 14 Track 5
    Release date: October 2005
    40CDs Boxed set + book (at a special price)
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