Hyperion Records

Der Vater mit dem Kind, D906
First line:
Dem Vater liegt das Kind im Arm
composer
January 1827; published in 1832
author of text

Recordings
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
MP3 £130.00FLAC £130.00ALAC £130.00Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 6 – Anthony Rolfe Johnson' (CDJ33006)
Schubert: The Hyperion Schubert Edition, Vol. 6 – Anthony Rolfe Johnson
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDJ33006  Archive Service; also available on CDS44201/40  
Details
Track 11 on CDJ33006 [4'34] Archive Service; also available on CDS44201/40
Track 18 on CDS44201/40 CD32 [4'34] 40CDs Boxed set + book (at a special price)

Der Vater mit dem Kind, D906
Whitman wrote of the cradle endlessly rocking, and in this song we hear it, for the composer is unafraid of repeated motifs (as in Geheimes for example) which in lesser hands would be tedious. There is something about the world of childhood which makes the ritual of this repeated movement appropriate and touching. The song was originally cast in 12/8, which would have given more of an obviously rocking motion to the piece, but in 2/2 this tiny two-note motif, punctuated by a quaver's rest, conjures up smallness and delicacy (like the four tiny notes in the gruppetti which pervade Wolf's Auch kleine Dinge) as well as child-like wordless entreaty. The piano part yearningly clings to the warm security of the more assured voice. As always when the accompaniment is halting or fragmentary, the composer requires an exemplary line from the singer to flow above it, and it is difficult not to believe that the child in Schubert projected into these loving vocal curves all his frustrated needs to be at one with his own father. A short but impassioned middle section in B flat suggests that the child's mother has died, in childbirth perhaps. It is interesting that the song is in D major with a family key relationship to the B minor of Vor meiner Wiege, and that a feature of both songs is the echoing imitation of the piano of phrases proposed by the voice, a musical analogue for the fact that the child is the image of the father, and a follower in his footsteps. It could also be seen and heard as the subliminal teaching of all infantile behaviour, and of the mother tongue, by imitation and repetition.

Eduard von Bauernfeld was the translator of the version of Shakespeare's 'Who is Sylvia?' which Schubert set to music in 1826 (Was ist Silvia?, D891). Apart from this immortal collaboration, Der Vater mit dem Kind is the only surviving setting that Schubert made of the poetry of this friend who was introduced into the Schubert circle by Moritz von Schwind in 1825. Capell's description of him could not be bettered: 'a lively, scatterbrained youth, one imagines—a Murgeresque bohemian, who later wrote successful light comedies in the French vein … He could talk, joke, play the piano, and drink … Bauernfeld gave us a doubtfully accurate picture of the three (Schubert, Schwind and Bauernfeld himself) sharing one another's lodgings, clothes, and purses—which often meant Schubert's purse—of unflagging activities and spirits, of talk and of merry-makings to all hours of the night'. Bauernfeld provided Schubert with the libretto of his last opera (never completed, alas) Der Graf von Gleichen. He left his post in the Lottery Office to devote himself to full-time writing, and he also edited Shakespeare. It is almost certain that Schubert set Der Vater mit dem Kind from the poet's manuscript, and it seems possible that Bauernfeld provided the composer with a poem that he knew full well would engage his friend's emotions. It seems that Schubert was close enough to the poet to have shared all his hopes, frustrations and dreams with him.

from notes by Graham Johnson 1990

Track-specific metadata
Click track numbers opposite to select

Details for CDJ33006 track 11
Artists
ISRC
GB-AJY-90-00611
Duration
4'34
Recording date
30 September 1989
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Martin Compton
Recording engineer
Antony Howell
Hyperion usage
  1. Schubert: The Hyperion Schubert Edition, Vol. 6 Anthony Rolfe Johnson (CDJ33006)
    Disc 1 Track 11
    Release date: December 1990
    Deletion date: May 2009
    Archive Service; also available on CDS44201/40
  2. Schubert: The Complete Songs (CDS44201/40)
    Disc 32 Track 18
    Release date: October 2005
    40CDs Boxed set + book (at a special price)
Show: MP3 FLAC ALAC
   English   Français   Deutsch