Hyperion Records

Idens Schwanenlied, D317
First line:
Wie schau’st du aus dem Nebelflor
composer
first published in 1895
author of text

Recordings
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 7 – Elly Ameling' (CDJ33007)
Schubert: The Hyperion Schubert Edition, Vol. 7 – Elly Ameling
Buy by post £13.99 (ARCHIVE SERVICE) CDJ33007  Archive Service; also available on CDS44201/40  
Details
Track 19 on CDJ33007 [3'13] Archive Service; also available on CDS44201/40
Track 8 on CDS44201/40 CD11 [3'13] 40CDs Boxed set + book (at a special price)

Idens Schwanenlied, D317
This setting is very much in the mould of the earlier Ida songs—an air of demure grace and classical control is achieved by the sparest of piano writing. In this mood of quiet lucidity, Schubert never writes three notes where one will do. There are seventeen verses to Kosegarten's poem of which we perform the first, twelfth, fourteenth, fifteenth and last. There are some touching illustrative touches like the chirping of the crickets in the triplet accompaniment of the first verse. It is interesting that this oscillation is between the very same notes of F and B natural which Schubert used to depict the song of the crickets in the vocal line of the first verse of Stimme der Liebe, written in May. The consistency of the motif suggests that the composer might be writing the sounds of nature exactly as he heard them, at least in 1815. In the two songs from this year, crickets chirp in the key of F in Schubert's ears. The most celebrated song about crickets is of course Der Einsame from a decade later. For that masterpiece, the augmented interval has been replaced by gently chirping and hypnotically euphonious chords, but the tonality remains the same as in 1815.

from notes by Graham Johnson © 1989

Track-specific metadata
Click track numbers opposite to select

Details for CDJ33007 track 19
Artists
ISRC
GB-AJY-90-00719
Duration
3'13
Recording date
18 August 1989
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Martin Compton
Recording engineer
Antony Howell
Hyperion usage
  1. Schubert: The Hyperion Schubert Edition, Vol. 7 – Elly Ameling (CDJ33007)
    Disc 1 Track 19
    Release date: December 1990
    Deletion date: January 2010
    Archive Service; also available on CDS44201/40
  2. Schubert: The Complete Songs (CDS44201/40)
    Disc 11 Track 8
    Release date: October 2005
    40CDs Boxed set + book (at a special price)
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