Hyperion Records

An den Frühling, D283
First line:
Willkommen, schöner Jüngling!
composer
published in 1865
author of text

Recordings
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
MP3 £130.00FLAC £130.00ALAC £130.00Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 7 – Elly Ameling' (CDJ33007)
Schubert: The Hyperion Schubert Edition, Vol. 7 – Elly Ameling
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDJ33007  Archive Service; also available on CDS44201/40  
'Schubert: An introduction to The Hyperion Schubert Edition' (HYP200)
Schubert: An introduction to The Hyperion Schubert Edition
MP3 £4.50FLAC £4.50ALAC £4.50 HYP200  Super-budget price sampler — Deleted  
Details
Track 16 on CDJ33007 [1'32] Archive Service; also available on CDS44201/40
Track 4 on CDS44201/40 CD10 [1'32] 40CDs Boxed set + book (at a special price)
Track 25 on HYP200 [1'32] Super-budget price sampler — Deleted

An den Frühling, D283
The second version of this song from 1817 (D587) was long thought to be the first, and this setting was accordingly classified as Schubert's final attempt to set the poem, apart, that is, from a merry song for male voice quartet (D338) which adds a number of 'La La La La's to the poem. What can one say about the spring-like freshness of the melody here, less priapic and lusty than D587, but suffused with the uplifting spirit of spring, reminiscent of Sehnsucht nach dem Frühling, a song from Mozart's last year, an inspiration for the Piano Concerto K595, and in the same key and time-signature as this Schubert song? It is yet one more reminder that the seemingly simple formula for a perfect strophic song is a spell that works only in the hands of the greatest masters.

from notes by Graham Johnson © 1989

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