Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

An den Mond, D193

First line:
Geuss, lieber Mond, geuss deine Silberflimmer
composer
published in 1826 as Op 57 No 3
author of text

 
This is a justly celebrated song, famous not only for its melody, but also for its accompaniment and introduction: the undulating triplets which remind us so potently of Beethoven's 'Moonlight' Sonata, and the wonderfully inexorable melodic line deep in the left hand, moving simply to the submediant and back, but somehow the whole transparently aglow with the most tender romantic inspiration. It shares its tonality, time signature and triplet accompaniment with Bellini's great hymn to the moon, 'Casta Diva' from Norma, written sixteen years later. It is interesting that the song has an introduction only in the printed version which leaves us to suppose that in true nineteenth-century fashion the composer had improvised (perhaps different) introductions for informal performances. Schubert's partiality, like Wolf after him, for a chain of modulations in thirds bears full fruit at the apposite moment for the distant realms of 'Phantasien und Traumgestalten'. The middle section, firmly anchored in the present and in the relative major, has a light staccato which adds touches of glinting sunlight, antithesis to the moon's legato, to the leaves of the beech and lime trees. Under too hearty a pair of hands this section can sound rather too jaunty for the good of the whole, and the performers have to be careful. The change undoubtedly cleans the ear's palate for a magical return to the atmospheric music of the opening. This device is used in a number of Schubert songs, including Erlafsee, and slow movements of piano pieces and chamber music: we greet the return of a dreamy or nostalgic theme even more delightedly, when the intervening music has taken us uncompromisingly into the present. This is the first, and possibly the greatest, of the twenty-three Hölty settings, all of which date from 1815 and 1816.

from notes by Graham Johnson © 1989

Recordings

Schubert: The Complete Songs
CDS44201/4040CDs Boxed set + book (at a special price)
Schubert: The Hyperion Schubert Edition, Vol. 7 – Elly Ameling
CDJ33007Archive Service; also available on CDS44201/40

Details

Track 7 on CDJ33007 [2'57] Archive Service; also available on CDS44201/40
Track 14 on CDS44201/40 CD6 [2'57] 40CDs Boxed set + book (at a special price)

Track-specific metadata

Click track numbers above to select
Search

There are no matching records. Please try again.