Hyperion Records

Der Blumenbrief, D622
First line:
Euch Blümlein will ich senden
composer
August 1818; first published in 1833 in volume 21 of the Nachlass
author of text

Recordings
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 21 – Edith Mathis' (CDJ33021)
Schubert: The Hyperion Schubert Edition, Vol. 21 – Edith Mathis
Buy by post £10.50 CDJ33021  Download currently discounted
Details
Track 22 on CDJ33021 [2'04]
Track 16 on CDS44201/40 CD20 [2'04] 40CDs Boxed set + book (at a special price)

Der Blumenbrief, D622
This enchanting little song was written in Zseliz in Hungary where Schubert spent the summer of 1818 as music master to the two young Esterházy countesses. He seems to have taken the volume of Schreiber poetry with him to Hungary, and it is highly likely that the poem, with its emphasis on the language of flowers, was pleasing to the romantic adolescent sensibilities of the composer's two charges – particularly the thirteen-year-old Karoline, the elder of the two, who was a singer and was later said to be Schubert's beloved.

The introduction with its suggestion of two balancing questions within a musical sequence (“She loves me; she loves me not”) is prophetic of the opening of Der Neugierige from Die schöne Müllerin, a song where it is briefly in the miller's boy mind to consult the flowers about his chances in love. Like that masterpiece this song is in 2/4 with a similar summery charm and a similar somewhat Italianate cantilena. Just as the miller boy settles on the brook as his messenger, this wooer allows the symbolic meaning of flowers to declare his love. Schubert must have thought this the appropriate language, unaffected and gently chromatic, in which to address nature. The little four-bar interlude (staccato quavers as if petals were being separated) is particularly delightful. At first mention of rose, myrtle and marigold the music is paragraphed and modulated in turn as the singer turns to address each group of flowers on his stroll through the garden, or as he composes in his mind the bouquet which will tell his beloved everything in a hidden code of love. Something about the tentative nature of the vocal line oscillating between adjacent semiquavers suggests discretion and secrecy. Perhaps that is why the vocal line of another song about secret love (Heimliches Lieben, in the same key as the first edition of Der Blumenbrief) is brought to mind.

from notes by Graham Johnson © 1994

Track-specific metadata
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Details for CDJ33021 track 22
Artists
ISRC
GB-AJY-94-02122
Duration
2'04
Recording date
23 October 1992
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Martin Compton
Recording engineer
Tony Faulkner
Hyperion usage
  1. Schubert: The Complete Songs (CDS44201/40)
    Disc 20 Track 16
    Release date: October 2005
    40CDs Boxed set + book (at a special price)
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