Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
It is this whiff of the eighteenth century and an avoidance of the modulation and harmonic experiment dear to Schubert which suggests the robust song style of Beethoven. The introduction to this song has something of the keyboard sonata about it – two descending figures, each of them moving with a tiny flourish from the home key of G major to the dominant seventh. From this type of seemingly innocuous figuration Beethoven would build castles in the air; Schubert's mind was almost certainly on his greatest living contemporary, for John Reed detects Beethoven's influence on the Schubert piano sonatas written in 1817. This type of prelude brings to mind other Schubert songs, particularly the Baumberg settings (Der Morgenkuss and Abendständchen - An Lina for example). The last two lines of each strophe seem awkwardly set until one realises that Schubert has created, with some ingenuity, a hemiola: the last eight bars of the piece (in 3/4) might easily be re-barred as twelve bars in 2/4, or four in 3/2. This gives a jaunty, even slightly quirky, edge to the word-setting – an angularity which again brings Beethoven to mind.
We do not know where Schubert found the poem of Die Liebe. It could have been published in a periodical, but it is not impossible that the composer had some personal contact with the poet through Mayrhofer and his circle.
from notes by Graham Johnson © 1994
|Schubert: The Complete Songs|
'This would have been a massive project for even the biggest international label, but from a small independent … it is a miracle. An ideal Christ ...
'Please give me the complete Hyperion Schubert songs set – all 40 discs –and, in the next life, I promise I'll "re-gift" it to Schubert himself … ...» More
|Schubert: The Hyperion Schubert Edition, Vol. 21 – Edith Mathis|
'What riches are to be found here in a recital that is, by any yardstick, a profoundly satisfying one … the musical marriage of the performers se ...
'A delectable group of 24 songs written in 1817/18, including a high proportion of charmers' (The Penguin Guide to Compact Discs)» More