Hyperion Records

Abschied von der Harfe, D406
First line:
Noch einmal tön’, o Harfe,
composer
March 1816; first published in 1887 in the Peters Edition
author of text

Recordings
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
MP3 £130.00FLAC £130.00ALAC £130.00Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 23 – Christoph Prégardien' (CDJ33023)
Schubert: The Hyperion Schubert Edition, Vol. 23 – Christoph Prégardien
MP3 £4.00FLAC £4.00ALAC £4.00Buy by post £13.99 (ARCHIVE SERVICE) CDJ33023  Archive Service; also available on CDS44201/40   Download currently discounted
Details
Track 5 on CDJ33023 [2'01] Archive Service; also available on CDS44201/40
Track 15 on CDS44201/40 CD13 [2'01] 40CDs Boxed set + book (at a special price)

Abschied von der Harfe, D406
The minstrel and his harp are a rich theme in Schubert songs. The Ossian songs were published with a vignette which showed the old Celtic minstrel with a harp. The werewolf is killed by a harp, no less, in Der Liedler. The angry bard of Der zürnende Barde asks who dares to destroy his instrument. We meet the harp in its antique form in An die Leier, and the old minstrel who goes with his harp into the wood to sing his swansong in Nachtstück has surely some of Schubert's greatest music. We meet the zither as the minstrel's accompanying instrument in Des Sängers Habe and of course the lute is to be found not only in An die Laute but also in Die schöne Müllerin. We assume that the troubadours in Der Sänger and Die drei Sänger also played the harp.The most famous of the harp songs, those to Goethe texts from Wilhelm Meister, are heard later in this recital.

This is one of the earliest example of Schubert giving the piano a harp-like accompaniment. Flowing semiquavers are underpinned by minims with curious grace-note upbeats which go some way to simulate the sound of the plucked lower strings of the harp. The tune, in E minor, is gently melancholic and somewhat reminiscent of Mozart's Das Lied der Trennung K519. The descending bass line at 'verhalle zart und leise' exactly mirrors in harmonic terms the idea of a tune fading away; the lift of anguish under 'Schwanenweise' (E - E sharp - F sharp in the bass) suddenly takes the music into realms of the unknown - exactly where the poem is also straying. This is a curiously austere song, difficult to sing, but it has a haunting quality.

from notes by Graham Johnson © 1995

Track-specific metadata
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Details for CDJ33023 track 5
Artists
ISRC
GB-AJY-95-02305
Duration
2'01
Recording date
17 September 1994
Recording venue
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Antony Howell
Hyperion usage
  1. Schubert: The Hyperion Schubert Edition, Vol. 23 – Christoph Prégardien (CDJ33023)
    Disc 1 Track 5
    Release date: May 1995
    Deletion date: March 2012
    Archive Service; also available on CDS44201/40
  2. Schubert: The Complete Songs (CDS44201/40)
    Disc 13 Track 15
    Release date: October 2005
    40CDs Boxed set + book (at a special price)
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