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Holst was passionate about the music of Byrd and Palestrina, which is clearly shown here in the modal writing, and the way the male and female voices of the choir answer each other antiphonally as, for example, at the words ‘Lumen ad revelationem gentium’. The piece was originally composed in B flat, although for the revised version recorded here the music was transposed down a semitone to A. It makes a fitting conclusion to this recital of wonderful but little-known music whose current neglect is as baffling as it is inexcusable.
from notes by Julian Haylock © 1989
|Epiphany at St Paul's|
Hyperion’s series of St Paul’s recordings is graced by an addition dedicated to music for Epiphany. The programme embraces music from the sixteenth to the twentieth century, from Bach to Bingham, and includes many long-established favourites by We ...» More
|Holst: The Evening Watch & other choral works|
'The performances here are wonderfully responsive. The individual voices seem perfectly attuned to the special colouring of Holst's music' (Gramophone)» More
|O sacrum convivium|
Choral music from the sixteenth-century, right up to the late-twentieth-century features on this beautiful eleven-track album, with stunning performances from The Choir of Royal Holloway.» More
'A beautiful disc of sacred motets from one of this country’s finest choirs' (Classic FM Magazine)
'What can one say? A feast beyond all dreams. Guaranteed to please' (Organists' Review)» More
|The Music of Westminster Cathedral|
'A wonderful programme. Westminster Cathedral Choir excite, enthral and electrify under both James O'Donnell and his predecessor David Hill. It would make an ideal gift for any lover of the tradition' (Cathedral Music)
'Bargain of the month' ( ...» More