Belshazzar’s Feast was premiered at the Swedish Theatre in Helsinki in November 1906. Sibelius provided a score of ten numbers, and although the concert suite (which Sibelius premiered himself in 1907) has only four movements, it incorporates all the significant material from the full score. The opening 'Oriental Procession' is the nearest Sibelius came to conjuring up the colour and exoticism of the east—comparable to ‘Anitra’s Dance’ and the ‘Arabian Dance’ in Grieg’s music for Peer Gynt. This procession arrives from the distance, and disappears again with a broad, stately tread. 'Solitude' was originally a song for Leschanah, the Jewish woman of the play who sings ‘Jerusalem, how can I forget thee’, but in the suite the vocal line is compellingly rescored for solo viola and cello. The intensely beautiful 'Nocturne' features a long sad melody on solo flute. It accompanied a beautiful stage setting of the starry night. The final movement 'Khadra’s dance' integrates two of the original movements, 'Dance of life' and 'Dance of Death'.
from notes by Rob McEwan © 2003
|Sibelius: Pelleas and Melisande & other works|
This album presents his theatre music from two distinct periods—the 1900s (contemporary with his Violin Concerto, and the Second and Third Symphonies) and the 1920s, including some of the last works of his to survive.» More