Hyperion Records

La muse et le poète, Op 132
composer
1910; for violin, cello and orchestra; composed as a piano trio in memory of Mme Caruette and subsequently orchestrated; published by Durand (who changed the title)

Recordings
'Saint-Saëns: Cello Concertos' (CDA68002)
Saint-Saëns: Cello Concertos
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Details
Track 6 on CDA68002 [15'39] NEW

La muse et le poète, Op 132
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Saint-Saëns’s final work involving the cello was La muse et le poète, Op 132, in which that instrument is joined by a violin to form what he referred to as a conversation between the two instruments instead of a debate between two virtuosos. The background to the work’s composition has its bizarre side. A statue of the composer had been exhibited in the Paris Salon of 1907. A female admirer, Mme Caruette, wanted to present it to the town of Dieppe, but strictly a law forbade the erection of statues to the living. However, political intervention solved that problem and the statue duly found a place in the town’s theatre, allowing Saint-Saëns to make one of his tart sallies, to the effect that since he must be dead to have a statue of himself put up, he wouldn’t need to make a speech. When the good Mme Caruette rejoined her ancestors in 1909, he wrote a one-movement piano trio in her memory which his publisher, Jacques Durand, insisted on giving the title it now bears, much to his fury. He then orchestrated it and the work was premiered in London in 1910 by Ysaÿe and Hollman. A critic of the Parisian premiere found in it tenderness, sombreness and pain as well as an inner drama. Beyond these qualities, listeners need not make an effort to discern a form for the piece: its improvisational structure was deliberate, as a hit against the Germans whose insistence on formal rigour was, he felt, destroying music’s soul.

from notes by Roger Nichols © 2014

Track-specific metadata
Details for CDA68002 track 6
Artists
ISRC
GB-AJY-14-00206
Duration
15'39
Recording date
13 June 2013
Recording venue
City Halls, Candleriggs, Glasgow, Scotland
Recording producer
Simon Kiln
Recording engineer
Arne Akselberg
Hyperion usage
  1. Saint-Saëns: Cello Concertos (CDA68002)
    Disc 1 Track 6
    Release date: September 2014
    NEW
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