Hyperion Records

Missa De Apostolis
composer
6vv
author of text
Ordinary of the Mass

Recordings
'Isaac: Missa De Apostolis' (CDGIM023)
Isaac: Missa De Apostolis
Buy by post £11.75 CDGIM023 
'The Tallis Scholars sing Flemish Masters' (CDGIM211)
The Tallis Scholars sing Flemish Masters
Buy by post £11.75 CDGIM211  2CDs for the price of 1  
'Sacred Music in the Renaissance, Vol. 2' (GIMBX302)
Sacred Music in the Renaissance, Vol. 2
Buy by post £17.50 GIMBX302  4CDs Boxed set (at a special price)  
Details
Movement 1: Kyrie
Movement 2: Gloria
Movement 3: Sanctus and Benedictus
Movement 4: Agnus Dei

Missa De Apostolis
EnglishFrançaisDeutsch
Isaac’s six-part Missa De Apostolis is based on a selection of Gregorian chants taken from the repertoire of the Feast of the Apostles. It will immediately be noticed that the music follows a number of the unusual and conservative liturgical procedures current in Germany and Austria around 1500, when this music was written. In particular a composer was expected to set the Mass in alternation between chant and polyphony, section by section and in every movement. This turns the Kyrie, for example, into a full invocation in nine separate sections. The chant duly carries straight through from the monophonic verses into the polyphony, appearing in all the different voice-parts at different times as a decorated cantus firmus. This process unfortunately breaks down in the Gloria where it proved impossible to rediscover the chant on which Isaac had based his music, and another one in the same mode had to be substituted. In addition the Credo was not set because it was not then customary to include it as part of the polyphonic Ordinary. In fact Isaac left a large body of separate polyphonic Credo settings, which presumably were used in contemporary services, but none was found to fit this particular chant and vocal scoring. Although his polyphonic sections are constantly being interrupted by statements of unadorned chant, Isaac managed to set his texts on the grandest scale. This unhurried breadth of effect is one of his most valuable artistic achievements.

from notes by Peter Phillips © 1991

Track-specific metadata
Click track numbers opposite to select

Details for GIMBX302 disc 1 track 8
Sanctus and Benedictus
Artists
ISRC
GB-ADM-91-30208
Duration
5'56
Recording date
Recording venue
Salle Church, Norfolk, United Kingdom
Recording producer
Steve C Smith & Peter Phillips
Recording engineer
Mike Clements & Mike Hatch
Hyperion usage
  1. Sacred Music in the Renaissance, Vol. 2 (GIMBX302)
    Disc 1 Track 8
    Release date: November 2010
    4CDs Boxed set (at a special price)
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