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Regina caeli

composer
author of text
Antiphon to the Blessed Virgin Mary in Paschal Time

 
The technique of cantus-firmus writing is employed in White’s setting of the Marian antiphon Regina caeli laetare. This ebullient Eastertide text calls on Mary ‘Queen of heaven’ to rejoice at the resurrection of the Son she bore, the celebratory message marked textually by the recurrent ‘alleluias’ and musically by the joyful chiming dialogues between the two equal upper voices. The acclamation of Mary as Queen of heaven at the opening of the text is at odds with the official attitudes of the Elizabethan church, in which the great feast of the Assumption of the Blessed Virgin Mary—celebrating Mary’s bodily ascension into heaven—had been removed from the Calendar. Either, then, White’s Regina caeli is an early-career piece dating from the reign of Mary or—if composed under Elizabeth—it would not have received liturgical performance, as the Marian antiphon during the Easter season.

from notes by Owen Rees 2016

Recordings

Virgin and Child
SIGCD474Download only 3 February 2017 Release
The Tallis Scholars sing Tudor Church Music, Vol. 2
CDGIM2102CDs for the price of 1
White: The Tallis Scholars sing Tudor Church Music
CDGIM030

Details

Track 6 on SIGCD474 [3'20] Download only 3 February 2017 Release
Track 3 on CDGIM030 [3'57]
Track 6 on CDGIM210 CD2 [3'57] 2CDs for the price of 1

Track-specific metadata

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