Hyperion Records

… mais mourir, FP137
First line:
Mains agitées aux grimaces nouées
composer
October 1947
author of text
1932; Peu de vertu, from La vie immédiate

Recordings
'Poulenc: The Complete Songs' (CDA68021/4)
Poulenc: The Complete Songs
MP3 £23.99FLAC £23.99ALAC £23.99Buy by post £30.00 CDA68021/4  4CDs for the price of 3  
'Poulenc: The Complete Songs, Vol. 3' (SIGCD272)
Poulenc: The Complete Songs, Vol. 3
MP3 £6.99FLAC £6.99ALAC £6.99 Studio Master: FLAC 24-bit 48 kHz £7.85ALAC 24-bit 48 kHz £7.85 SIGCD272  Download only   Studio Master FLAC & ALAC downloads available
Details
Track 23 on CDA68021/4 CD2 [1'35] 4CDs for the price of 3
Track 15 on SIGCD272 [1'38] Download only

… mais mourir, FP137
Éluard’s title for this poem in La vie immédiate (1932) was Peu de vertu, which was discarded by Poulenc who clearly searched Éluard’s work for a poem that he could set in memory of Nusch Éluard (he always misspells her name ‘Nush’) who had died suddenly in 1946. Poulenc was no doubt acutely aware of the fact that his old friend Paul Éluard was in a dire emotional state on account of this loss; indeed the composer may have seen the composition of … mais mourir as expressing his condolences to the poet whose work had done so much to shape his own. Poulenc remembered that Nusch had beautiful hands and alighted on this poem—although whether or not she herself inspired it fifteen years earlier is not clear. The song begins in E minor and ends in E major; the vocal line ranges unusually far and wide for an Éluard setting at this speed. There is a real independence between voice and piano; melodic shapes traced in the accompaniment have a life and eloquence of their own, as if the composer were thinking of hand movements at the piano as he wrote the music. In the last five bars (for the phrase ‘mais mourir’) it is the pianist who plays the final melody against a held vocal note, an effect that is suffused with tender melancholy.

from notes by Graham Johnson © 2013

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