Hyperion Records

La courte paille, FP178
composer
July to August 1960; composed for Denise Duval
author of text
Nos 1, 2, 4 & 6 from La cage aux grillons; Nos 3, 5 & 7 from Le voleur d'étincelles

Recordings
'Poulenc: The Complete Songs' (CDA68021/4)
Poulenc: The Complete Songs
MP3 £23.99FLAC £23.99ALAC £23.99Buy by post £30.00 CDA68021/4  4CDs for the price of 3  
'Poulenc: The Complete Songs, Vol. 1' (SIGCD247)
Poulenc: The Complete Songs, Vol. 1
MP3 £7.99FLAC £7.99ALAC £7.99 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 SIGCD247  Download only   Studio Master FLAC & ALAC downloads available
Details
No 1: Le sommeil  Le sommeil est en voyage
No 2: Quelle aventure!  Une puce, dans sa voiture
No 3: La reine de cœur  Mollement accoudée
No 4: Ba, be, bi, bo, bu
No 5: Les anges musiciens  Sur les fils de la pluie
No 6: Le carafon  Pourquoi, se plaignait la carafe
No 7: Lune d'avril  Lune, belle lune, lune d'Avril

La courte paille, FP178
This is the last of Poulenc’s song cycles; it was composed for the soprano Denise Duval (b1921) who, after the retirement of Bernac, had become the composer’s recital partner, his Blanche in the opera Dialogues des Carmélites, his Elle in La voix humaine, his beloved friend and confidante, and in many respects his muse. Duval, unlike Bernac, was not a lieder or mélodie singer pur sang (she was perhaps happier on the opera stage) and she gave recitals with Poulenc at the piano that included operatic extracts (he referred to her as ‘La Diva’). This cycle indicates a new direction, as if Poulenc was beginning to groom her more specifically for song, and that he was being careful not to compose anything too demandingly esoteric. It was dedicated to the singer and her six year-old son, Richard Schilling. The poems (halfway between Francis Jammes and Max Jacob, according to Poulenc in JdmM) are taken from two whimsical collections by the Belgian poet Maurice Carême (1899–1978): i, ii, iv and vi from La cage aux grillons and iii, v and vii from Le voleur d’étincelles.

Le sommeil is an exasperated text (a mother whose child will not go to sleep) set very gently to music. The late Poulenc song style is somewhat thinner than in the glorious ’30s and ’40s, fewer notes on the pages, less effulgent chords, but it is always elegant, and irreproachable in terms of prosody. Quelle aventure! and Ba, be, bi, bo, bu are both madcap, music-hall Poulenc, the reworking of an old, breathless style to charming effect. La reine de cœur is perhaps the jewel of the set, simple and unpretentious, heartfelt and with a pace and depth that only this composer could muster, a shadow of past splendours perhaps, but an authentic one. It is a song that Régine Crespin recorded magically. Les anges musiciens, with its reference to the half-day holiday on Thursdays in French schools, is notable for its mention of Mozart, and the way that Poulenc subtly suggests the melodic contours of the slow movement (Romanze) in B flat major of the D minor Piano Concerto K466. Le carafon is a charming little ballad featuring the magician Merlin, an old phonograph, a baby giraffe and finally a baby carafe. Poulenc handles this whimsy with delicate mastery. The final song in the set, Lune d’avril, is very much a work from 1960 with its mention of nuclear disarmament, a major theme of the time for parents of young children. The composer was father of a fourteen year-old daughter, although very few people knew about her at the time. Poulenc’s farewell to song trails into the distance with one of his longest, yet least eventful, postludes, its C major tonality and hypnotic pace finally melting into a voluptuous dominant seventh. The addition of that crucial and luxuriously decadent B flat in the final chord adds a haunting, questioning resonance. At that very moment Poulenc’s life’s work as a great song composer fades away with the indication pppp. ‘The taste for this musical form is coming to an end, so I am told’, he wrote in JdmM. ‘So much the worse. Long live Schubert, Schumann, Musorgsky, Chabrier, Debussy, etc, … etc …’

from notes by Graham Johnson © 2013

Track-specific metadata
Click track numbers opposite to select

Details for CDA68021/4 disc 1 track 26
Quelle aventure!
Artists
ISRC
GB-AJY-13-02126
Duration
1'02
Recording date
16 July 2008
Recording venue
All Saints' Church, East Finchley, London, United Kingdom
Recording producer
Mark Brown
Recording engineer
Julian Millard
Hyperion usage
  1. Poulenc: The Complete Songs (CDA68021/4)
    Disc 1 Track 26
    Release date: October 2013
    4CDs for the price of 3
Show: MP3 FLAC ALAC
   English   Français   Deutsch