Movement 1: Allegro moderato
Movement 2: Andante
Movement 3: Menuetto: Allegro
Movement 4: Allegro
The beguiling F major Andante initially evokes the minuet finale of Mozart’s F major Violin Sonata, K377 (which Schubert also remembered a few months later in the Fifth Symphony’s Andante), though the harmonic adventures of its two episodes are pure Schubert. The third movement, in D minor—another unorthodox key choice—is a cussed, laconic Menuetto, more Haydnesque than Mozartian, with a Ländler-style trio underpinned by piquant chromatic harmonies. Opening with a violin song of melancholy grace, the rondo finale has a similar plan to that of the D major Sonata. But its scale is broader, its reach bolder. At the climaxes of the two episodes the instruments hurl rising scales at each other with almost Beethovenian vehemence.
from notes by Richard Wigmore © 2013