The Winchester Wedding

First line:
At Winchester was a wedding
composer
from Several New Songs, 1684
author of text

 
This tune first appeared in Apollo’s Banquet For The Treble Violin (1670) as ‘The Irish Shagg’, later in The Dancing Master (6th edition, 1679) as ‘The King’s Jig’, and finally in Thomas D’Urfey’s Several New Songs (1684) from which it was reprinted in Pills to Purge Melancholy as ‘The Winchester Wedding’, a ballad by Thomas D’Urfey (c1653–1723). Curiously, the ‘Pills’ tune has seven extra bars and although this is possibly a musical inaccuracy, these seven bars are included here as an insert, dividing the verse. This gives an even more ‘Irish’ feel to this lilting dance tune and also gives the listener a chance to absorb the tongue-twisting text. The subsequent popularity of the tune was such that it was used in no fewer than seventeen eighteenth-century ballad operas.

from notes by Douglas Wootton © 1981

Recordings

How the world wags – Social Music for a 17th-century Englishman
CDH55013Helios (Hyperion's budget label)

Details

Track 17 on CDH55013 [2'57] Helios (Hyperion's budget label)

Track-specific metadata for CDA66008 track 17

Artists
ISRC
GB-AJY-81-00817
Duration
2'57
Recording date
8 October 1980
Recording venue
Recording producer
Andrew Keener
Recording engineer
Tony Faulkner
Hyperion usage
  1. How the world wags – Social Music for a 17th-century Englishman (CDA66008)
    Disc 1 Track 17
    Release date: January 1988
    Deletion date: May 1999
    Superseded by CDH55013
  2. How the world wags – Social Music for a 17th-century Englishman (CDH55013)
    Disc 1 Track 17
    Release date: May 1999
    Helios (Hyperion's budget label)