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Nunc dimittis tertii toni

composer
author of text
Luke 2: 29-32

 
George Malcolm’s harmonization of the third-tone Nunc dimittis is an object lesson in spiritual minimalism. The unadorned chanting of the lower voices is answered by upper voices in simple three-part homophony, the harmony resolving into a quiet unison as Simeon’s soul slips gently into eternal rest.

from notes by Jeremy Summerly © 2013

L’harmonisation que George Malcolm fit du Nunc dimittis sur le troisième ton est une démonstration de minimalisme spirituel. À la psalmodie dépouillée des voix inférieures répondent les voix supérieures en une simple homophonie à trois parties, l’harmonie se résolvant en un paisible unisson au moment où l’âme de Siméon glisse doucement dans le repos éternel.

extrait des notes rédigées par Jeremy Summerly © 2013
Français: Hypérion

George Malcolms Harmonisierung des Nunc dimittis 3. Tonus ist ein Lehrbeispiel für spirituellen Minimalismus. Der unverzierte Gesang der unteren Stimmen wird von den oberen Stimmen mit einer schlichten dreistimmigen Homophonie beantwortet, wobei die Harmonie sich in ein ruhiges Unisono auflöst, wenn Simeons Seele sanft in die ewige Ruhe hinübergleitet.

aus dem Begleittext von Jeremy Summerly © 2013
Deutsch: Viola Scheffel

Recordings

Miserere
Studio Master: CDA67938Studio Master FLAC & ALAC downloads available

Details

Track 23 on CDA67938 [1'38]

Track-specific metadata for CDA67938 track 23

Artists
ISRC
GB-AJY-13-93823
Duration
1'38
Recording date
5 October 2011
Recording venue
Westminster Cathedral, London, United Kingdom
Recording producer
Adrian Peacock
Recording engineer
David Hinitt
Hyperion usage
  1. Miserere (CDA67938)
    Disc 1 Track 23
    Release date: January 2013
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