Hyperion Records

Credo IV
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Credo IV (in contrast to its more famous counterpart, Credo III) springs from the fifteenth century rather than the seventeenth. But a singular compositional guiding hand is evident at the climax of the movement, where the resurrection is painted by stretching the range momentarily one degree higher. Credo IV is an article of faith, and a clear adaptation of an old melody to suit the early-modern taste for word painting.

from notes by Jeremy Summerly © 2013

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