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Kommt her zu mir, spricht Gottes Sohn, BuxWV201

composer
Chorale Prelude

 
In the Chorale Prelude on ‘Kommt her zu mir, spricht Gottes Sohn’, BuxWV201, the melody is broken up and embellished, and each of its six lines is introduced by a short passage in which the material of that line is given a simple imitative treatment. In typical Buxtehude fashion, the final line of the melody is more florid.

from notes by Relf Clark © 2012

Dans le Prélude-choral sur «Kommt her zu mir, spricht Gottes Sohn», BuxWV201, la mélodie, brisée et embellie, voit un court passage introduire chacune de ses six lignes, le matériau étant traité en simple imitation. Comme toujours, Buxtehude orne davantage la dernière ligne de la mélodie.

extrait des notes rédigées par Relf Clark © 2012
Français: Hypérion

In dem Choralvorspiel „Kommt her zu mir, spricht Gottes Sohn“, BuxWV201, ist die Melodie unterbrochen und ausgeschmückt und die sechs Melodielinien werden jeweils mit einer kurzen Passage eingeleitet, in der das Material der Linie mit schlichter Imitation gesetzt ist. Wie es für Buxtehude charakteristisch ist, wird die letzte Melodielinie verziert ausgestaltet.

aus dem Begleittext von Relf Clark © 2012
Deutsch: Viola Scheffel

Recordings

Buxtehude: The Complete Organ Works, Vol. 5 – Mariager Klosterkirke
Studio Master: CDA67964Studio Master FLAC & ALAC downloads available

Track-specific metadata for CDA67964 track 2

Artists
ISRC
GB-AJY-12-96402
Duration
2'37
Recording date
20 February 2012
Recording venue
Mariager Klosterkirke, Denmark
Recording producer
Paul Spicer
Recording engineer
Simon Eadon
Hyperion usage
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