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Sonata in D minor, Op 6 No 4

composer
1711 or slightly later; from 12 Trattenimenti armonici per camera, Op 6

 
Violinistic display dominates Sonata 4. Here both slow movements have shimmering arpeggiation before the final cadence, while the fast movements exploit double-stopping as a percussive effect.

from notes by Michael Talbot © 1994

La Sonate 4 est dominée par un déploiement de technique violonistique. Ici, dans les deux mouvements lents, une série d’arpèges précède comme un miroitement la cadence finale, pendant que les mouvements rapides exploitent les doubles-cordes pour obtenir un effet percutant.

extrait des notes rédigées par Michael Talbot © 1994
Français: Alain Midoux

Violinistischer Prunk dominiert die Sonate 4. Ihre beiden langsamen Sätze zeichnen sich durch schimmernde Arpeggiatur vor der Schlußkadenz aus, während die schnellen Sätze Doppelgriffe als perkussiven Effekt ausnutzen.

aus dem Begleittext von Michael Talbot © 1994
Deutsch: Anne Steeb/Bernd Müller

Recordings

Albinoni: Sonate da chiesa & Trattenimenti armonici
CDD220482CDs Dyad (2 for the price of 1)

Details

Movement 1: Grave
Track 25 on CDD22048 CD2 [2'19] 2CDs Dyad (2 for the price of 1)
Movement 2: Larghetto
Track 26 on CDD22048 CD2 [2'18] 2CDs Dyad (2 for the price of 1)
Movement 3: Adagio
Track 27 on CDD22048 CD2 [1'56] 2CDs Dyad (2 for the price of 1)
Movement 4: Allegro
Track 28 on CDD22048 CD2 [2'06] 2CDs Dyad (2 for the price of 1)

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