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Sonata in G major, Op 6 No 9

composer
1711 or slightly later; from 12 Trattenimenti armonici per camera, Op 6

 
In its fast movements Sonata 9 employs double-stopping of a more contrapuntal kind, so that the single violin simulates the sound of the two violins in a trio sonata. In the second movement the bass has some dazzling rapid flights.

from notes by Michael Talbot © 1994

Dans ses mouvements rapides, la Sonate 9 utilise des doubles-cordes d’une sorte plus contrapuntique, de sorte que l’unique violon simule le son des deux violons dans une sonate à trois. Dans le deuxième mouvement, la basse a quelques rapides envolées éblouissantes.

extrait des notes rédigées par Michael Talbot © 1994
Français: Alain Midoux

In ihren schnellen Sätzen bedient sich die Sonate 9 kontrapunktisch orientierter Doppelgriffe, so daß die eine Violine den Klang zweier Geigen in einer Triosonate simuliert. Im zweiten Satz hat der Baß einige verblüffend rasante Passagen.

aus dem Begleittext von Michael Talbot © 1994
Deutsch: Anne Steeb/Bernd Müller

Recordings

Albinoni: Sonate da chiesa & Trattenimenti armonici
CDD220482CDs Dyad (2 for the price of 1)

Details

Movement 1: Grave
Track 21 on CDD22048 CD1 [2'41] 2CDs Dyad (2 for the price of 1)
Movement 2: Allegro
Track 22 on CDD22048 CD1 [2'19] 2CDs Dyad (2 for the price of 1)
Movement 3: Adagio
Track 23 on CDD22048 CD1 [1'46] 2CDs Dyad (2 for the price of 1)
Movement 4: Allegro
Track 24 on CDD22048 CD1 [3'31] 2CDs Dyad (2 for the price of 1)

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