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Sonata in F major, Op 6 No 5

1711 or slightly later; from 12 Trattenimenti armonici per camera, Op 6

Sonata 5 has a striking second slow movement. This is one of the rare slow movements to bring the opening idea back near the end and (a few bars later) to allow the cello to detach itself, if only fleetingly, from the harpsichord.

from notes by Michael Talbot © 1994

Un remarquable deuxième mouvement lent se trouve dans la Sonate 5. C’est l’un des rares mouvements lents à reprendre l’idée initiale près de la fin et (quelques mesures plus loin) à permettre au violoncelle de se détacher du clavecin, même si ce n’est que pour quelques instants.

extrait des notes rédigées par Michael Talbot © 1994
Français: Alain Midoux

Die Sonate 5 hat einen bemerkenswerten zweiten langsamen Satz. Es ist dies einer der wenigen langsamen Sätze, die gegen Ende noch einmal die einleitende Idee aufgreifen und es (wenige Takte später) dem Cello gestatten, sich wenn auch nur kurz vom Cembalo zu lösen.

aus dem Begleittext von Michael Talbot © 1994
Deutsch: Anne Steeb/Bernd Müller


Albinoni: Sonate da chiesa & Trattenimenti armonici
CDD220482CDs Dyad (2 for the price of 1)


Movement 1: Grave
Track 13 on CDD22048 CD1 [2'23] 2CDs Dyad (2 for the price of 1)
Movement 2: Allegro
Track 14 on CDD22048 CD1 [2'56] 2CDs Dyad (2 for the price of 1)
Movement 3: Adagio
Track 15 on CDD22048 CD1 [1'50] 2CDs Dyad (2 for the price of 1)
Movement 4: Allegro
Track 16 on CDD22048 CD1 [2'24] 2CDs Dyad (2 for the price of 1)

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