Hyperion Records

Fêtes galantes
First line:
Les donneurs de sérénades
composer
author of text

Recordings
'Hahn: Chansons grises & other songs' (CDH55040)
Hahn: Chansons grises & other songs
Buy by post £5.50 CDH55040  Helios (Hyperion's budget label)  
'Hahn: Songs' (CDA67141/2)
Hahn: Songs
Buy by post £20.00 CDA67141/2  2CDs  
Details
Track 22 on CDH55040 [2'05] Helios (Hyperion's budget label)
Track 14 on CDA67141/2 CD1 [1'47] 2CDs

Fêtes galantes
Fêtes galantes is another Verlaine poem which many a French composer has felt obliged to set. There is the Watteau-like elegance—somewhat laid back—of Fauré’s song, entitled Mandoline. Debussy’s early setting of the same title is breathless and piquant, a whirl of activity in a froth of swirling skirts. Hahn’s combines attributes of each without quite being as successful as either. In his hands there is something (deliberately?) banal about these exchanges of courtly pleasantries. Fauré suggests the artifice of studied self-control, but here we have the small-talk of Louis XV’s Versailles exchanged by the mindless courtiers and hangers-on. The left hand in the treble clef sounds the twanged note of the mandoline, the right is preoccupied with a the circular repetition of a high and tinkling phrase in double thirds which is cheekily repeated until the entry of the voice. ‘L’éternel Clitandre’ gets a raised eyebrow of impatience and boredom with a sudden plunge in the bass. At ‘Leurs courtes vestes de soie’ Hahn introduces an individual touch, unusual in his writing: descending semitones in the vocal line are followed by upward jumps of an octave; these are abetted by deft piano arpeggios in the same direction. Accompanying the final word ‘brise’ two chromatic scales in contrary motion usher in a final ritornello. There is a real impression of emptiness at the end of it all, and this gay superficiality may well have been exactly what the composer intended.

from notes by Graham Johnson © 1996

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