Hyperion Records

Suite No 2, Op 22
1906/7; dedicated to Leopold Auer

'Achron: Complete Suites for violin and piano' (CDA67841)
Achron: Complete Suites for violin and piano
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 CDA67841  2CDs for the price of 1  
Movement 1: En passant: Vivo e scorrendo
Track 6 on CDA67841 CD2 [1'49] 2CDs for the price of 1
Movement 2: Menuet: Allegretto aperto – Trio: Un poco meno mosso
Track 7 on CDA67841 CD2 [4'13] 2CDs for the price of 1
Movement 3: Moulin: Vivace e gajamente assai
Track 8 on CDA67841 CD2 [1'25] 2CDs for the price of 1
Movement 4: Intermezzo: Cantabile e molto dramatico
Track 9 on CDA67841 CD2 [4'45] 2CDs for the price of 1
Movement 5: Marionettes: Allegro molto e scherzando
Track 10 on CDA67841 CD2 [3'19] 2CDs for the price of 1

Suite No 2, Op 22
The Suite No 2, Op 22, displays a remarkable advance in style and technical virtuosity, the titles suggesting a set of Romantic character pieces, written in a progressive idiom. The five movements take us from A minor to A major, via the more distant relationship of the tritone E flat in the second movement, and the more conventional E major (the dominant) and C sharp minor in the third and fourth.

A Bartók-like five-beat rhythm contributes to the first movement’s elusive, volatile character suggested in its title, En passant. Here two themes alternate, developed in instrumental interactions, the final repeat of the first idea soaring high with harmonics and pizzicato. The Menuet contrasts two phrases, the first Bach-like and highly ornamented on its reprise, the second a capricious chromatic rising sequence. The contrasting Trio introduces biting dissonances and wayward harmony, before the Menuet’s return. Helter-skelter staccato scales in the aptly titled Moulin (‘Windmill’) evoke the relentless activity implied by the title, the piano’s theme transformed through chromatic sequences. The marking Vivace e gajamente assai conveys the mood of this virtuoso display piece. The dramatic highpoint of the Suite No 2 is the poetic Intermezzo, its yearning to reach light from darkness enacted in the striving for E major from the darker C sharp minor. The violin’s initial soliloquy leads to an eloquent melody over slowly rising piano chords. It is repeated by piano alone, then, with a new descending idea, by both partners. Here the violin finally reaches E major, coming to rest before falling like a windswept leaf to a repeat of the opening soliloquy in the dark minor. The Suite ends with an exhilarating Allegro molto e scherzando in a broad ternary design introduced by trills and leaps. As the title Marionettes suggests, the violin theme is playful, developing a toccata-like texture in high registers that leads to a percussive pizzicato descent. A central section brings dazzling trills, leaps and syncopations, followed by a reprise of the main theme that leaps to stratospheric registers for the concluding climax.

from notes by Malcolm Miller © 2012

Track-specific metadata
Click track numbers opposite to select

   English   Français   Deutsch