maledicti qui declinant a mandatis tuis.
[You have rebuked the proud,
cursed are they that do err from your commandments.]
Nam et testimonia tua meditatio mea est,
et consilium meum iustificationes tuae.
[For your testimonies are my delight,
and your judgments my counsellors.]
Once again Parsons’ control of drama is evident with his imaginative use of the solo sections, fooling the listener into thinking that the full choir is about to enter only to continue with differently scored solo writing. He provides a short but masterful ‘Amen’ coda, choosing a dotted subject for imitation which impels the listener forward to the final cadence. Parsons also shows his fascination with the interval of a seventh, one that needs some form of cloaking in order to sound acceptable to sixteenth-century ears. This he achieves by breaking the interval in two, most often a third followed by a fifth, or vice versa (‘non abscondas a me’, ‘a mandatis tuis’, ‘servus autem tuus’ and ‘meditatio mea est’).
from notes by Andrew Carwood © 2011