Hyperion Records

Two Motets
First line:
Quis color ille vadis, seras cum propulit umbras
1981; SSAATTBB SSAATTBB unaccompanied; composed for the Gregg Smith Singers

'Beyond all mortal dreams' (CDA67832)
Beyond all mortal dreams
Buy by post £10.50 CDA67832 
No 1: Mosella  Quis color ille vadis, seras cum propulit umbras
No 2: Te vigilans oculis

Two Motets
The Two Motets of 1981 were composed for the Gregg Smith Singers, and are conceived of very similar material. Unusually for choral music, the Latin texts are poetic rather than biblical, and contain no sacred elements at all. Mosella is a fragment of a longer work by the fourth-century poet Ausonius—a celebrated evocation of the scenery experienced along the course of the river Moselle—and in this stanza we are treated to the soothing sight of water reflecting the light of dusk. For the second poem, Te vigilans oculis by Petronius, the scene shifts to an anguished poet lying sleepless in bed, longing for his lover. The contrasts in thematic material from the first motet are magnified by their very similarity, as Hawley shifts to a darker mode in reflection of the text. Both motets end with prolonged and unresolved suspensions to sharply differing effect: unending beauty in the first instance, and ceaseless torment in the second.

from notes by Gabriel Crouch © 2011

Track-specific metadata
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Details for CDA67832 track 17
Recording date
5 July 2010
Recording venue
Trinity College Chapel, Cambridge, United Kingdom
Recording producer
Adrian Peacock
Recording engineer
David Hinitt
Hyperion usage
  1. Beyond all mortal dreams (CDA67832)
    Disc 1 Track 17
    Release date: July 2011
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