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Sally in our alley

composer
1916; for string quartet

 
When interviewed by the magazine Musical America during his 1923 tour of the United States, Bridge made his views on the subject of musical nationalism based on traditional sources perfectly clear: ‘If there is to be any expression of national spirit, it must be the expression of the composer’s own thoughts and feelings, and must come from the promptings of his own inspiration; he cannot seek it and any effort on his part to aim at it as a national expression must end in failure.’ Not surprisingly, he rarely made use of folk and traditional sources, preferring to look to the European Continent for his influences and inspiration. On the occasions when he did, as in An Irish Melody, Sally in our alley, Cherry Ripe and Sir Roger de Coverley, he absorbed the ‘given’ material into his musical fabric, taking creative ownership of the melodies, just as Benjamin Britten did a generation later in his folksong settings. Sally in our alley, from 1916, is refined and embellished, with highly perfumed harmonies.

from notes by Paul Hindmarsh © 2013

Recordings

Bridge: Phantasy Piano Quartet & Sonatas
Studio Master: CDA68003Studio Master FLAC & ALAC downloads available
Favourite Encores for string quartet
CDH55002

Track-specific metadata for HYP201310 track 8

Artists
ISRC
GB-AJY-13-00306
Duration
4'01
Recording date
24 October 2012
Recording venue
Potton Hall, Dunwich, Suffolk, United Kingdom
Recording producer
Rachel Smith
Recording engineer
David Hinitt
Hyperion usage
  1. Bridge: Phantasy Piano Quartet & Sonatas (CDA68003)
    Disc 1 Track 6
    Release date: October 2013
  2. Hyperion monthly sampler – October 2013 (HYP201310)
    Disc 1 Track 8
    Release date: October 2013
    Download-only monthly sampler
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