Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Fourteen Pieces for flute and piano, Op 157b

composer

 
The French flutist Jan Merry, in a letter to Charles Koechlin’s widow shortly after the composer’s death in 1950, eloquently described the appeal of his writing for the flute: ‘This restrained emotion, always dignified, very French; without exaggeration, without affectation—how directly it goes to the heart and to the hearts of those who listen!’ Perhaps the Fourteen Pieces, Op 157b, best exemplify these qualities. They testify also to Koechlin’s skill as a miniaturist: each of these brief pieces establishes its particular character and mood with great economy of means. They were composed originally for unaccompanied flute as Op 157; Koechlin added a piano part later. A partial first performance was given in 1941 by Jan Merry and the composer. Op 157b is dedicated to the flutist Paul Dommel and his wife, Amy Dommel-Diéry, a pianist. They were, like Jan Merry, devoted friends of Koechlin and his music.

from notes by Fenwick Smith © 1990

Le flûtiste français, Jan Merry, dans une lettre addressée à la veuve de Charles Koechlin peu après la mort du compositeur en 1950, décrivit avec éloquence l’attrait de son écriture pour la flûte: «Cette émotion contenue, toujours digne, bien française, sans faux lyrisme, sans affectation, comme elle va droit au cœur, et aux cœurs de ceux qui écoutent!» Les Quatorze Pièces Op 157b illustrent peut-être le mieux ces qualités. Elles témoignent aussi du don merveilleux de Koechlin comme miniaturiste. Il établit dans chacune de ces brèves pièces un caractère et un atmosphère particulière avec une formidable économie de moyens. À l’origine, elles furent composées pour flûte seule comme l’Op 157; Koechlin ajouta plus tard la partie de piano.

extrait des notes rédigées par Fenwick Smith © 1990
Français: Anne Rousseau

Recordings

Koechlin: Music for flute
CDA66414Archive Service

Details

No 01: Vieille chanson: Andante con moto
No 02: Gai, assez animé
No 03: Andante espressivo
No 04: Moderato con moto
No 05: Allegro moderato
No 06: Andante quasi adagio
No 07: Beau soir: Largo
No 08: Andantino
No 09: Allegretto con moto
No 10: Allegretto quasi andantino
No 11: Allegretto
No 12: Danse printanière: Allegretto
No 13: Marche funèbre: Andante
No 14: Allegro moderato

Track-specific metadata for CDA66414 track 12

Danse printanière: Allegretto
Artists
ISRC
GB-AJY-90-41412
Duration
0'52
Recording date
12 June 1989
Recording venue
Jordan Hall, New England Conservatory of Music, Boston, Massachusetts, USA
Recording producer
James Donohue
Recording engineer
Joel Gordon
Hyperion usage
  1. Koechlin: Music for flute (CDA66414)
    Disc 1 Track 12
    Release date: June 1990
    Deletion date: July 2003
    Archive Service
  2. Koechlin: Music for flute (CDH55107)
    Disc 1 Track 12
    Release date: July 2003
    Deletion date: September 2009
    Helios (Hyperion's budget label) — Superseded by CDA66414
Search

There are no matching records. Please try again.