Hyperion Records

Si bona suscepimus
composer
4vv; Liber undecimus .xxvi. musicales habet modulos quatuor et quinque vocibus editos (Paris: Attaingnant, 1535) [March 1534 old style]. 1535/3
author of text
Job 2: 10; 1: 21

Recordings
'Phinot: Missa Si bona suscepimus & other sacred music' (CDA67696)
Phinot: Missa Si bona suscepimus & other sacred music
Buy by post £10.50 CDA67696 
Details

Si bona suscepimus
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Sermisy’s is one of a large group of settings of this extract from the book of Job, which evidently appealed to sixteenth-century composers for the pathos of its text. The formal plan of Sermisy’s motet is unusually sectional for the period, with several internal repetitions which combine with heavy use of homophony to add weight to the sentiments of the text. Most of the melodic phrases are set in ‘pair imitation’, for instance at the opening of the piece, where the top two voices sing a phrase in two-part counterpoint, which is then repeated by the lower two, with or without additional decoration. This technique was beloved of the preceding generation of composers: Josquin Desprez, and composers active in Milan such as Loyset Compère, are especially known for it. By the 1520s when Sermisy’s setting was presumably composed, this was a slightly archaic device, which combines with the frequent pauses such as those between ‘Dominus dedit’ and ‘Dominus abstulit’ to add poignancy to the suffering of Job.

from notes by Roger Jacob & Stephen Rice © 2009

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