Hyperion Records

Vox Patris caelestis
composer
possibly written for the Feast of the Assumption as celebrated at the church of St-Mary-at-Hill in the City of London
author of text
after Song of Songs

Recordings
'Allegri: Miserere; Palestrina: Missa Papae Marcelli; Mundy: Vox Patris caelestis' (CDGIM339)
Allegri: Miserere; Palestrina: Missa Papae Marcelli; Mundy: Vox Patris caelestis
Buy by post £11.75 CDGIM339 
'Allegri: Miserere; Palestrina: Missa Papae Marcelli; Mundy: Vox Patris caelestis' (GIMSE401)
Allegri: Miserere; Palestrina: Missa Papae Marcelli; Mundy: Vox Patris caelestis
Buy by post £6.75 GIMSE401  Gimell (budget price)  
'Mary and Elizabeth at Westminster Abbey' (CDA67704)
Mary and Elizabeth at Westminster Abbey
Buy by post £10.50 CDA67704 
'Mundy: Sacred Choral Music' (CDH55086)
Mundy: Sacred Choral Music
Buy by post £5.50 CDH55086  Helios (Hyperion's budget label)  
'The Tallis Scholars Live in Oxford' (CDGIM998)
The Tallis Scholars Live in Oxford
Buy by post £11.75 CDGIM998  Studio Master FLAC & ALAC downloads available
'The Sixteen & The Golden Age of Polyphony' (CDS44401/10)
The Sixteen & The Golden Age of Polyphony
Buy by post £38.50 CDS44401/10  10CDs Boxed set (at a special price)  
'The Tudors at Prayer' (CKD447)
The Tudors at Prayer
CKD447  Download only  
Details
Track 5 on CDH55086 [17'45] Helios (Hyperion's budget label)
Track 5 on CDS44401/10 CD10 [17'45] 10CDs Boxed set (at a special price)
Track 2 on GIMSE401 [19'16] Gimell (budget price)

Vox Patris caelestis
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Vox Patris caelestis was written during Queen Mary’s reign (1553–1558) and so is exactly contemporary with the Missa Papae Marcelli. It can be so precisely dated because it was written in a style which was unacceptable to the Protestant Tudor monarchs – Edward VI and Elizabeth I – and Mundy was too young to have written it in Henry VIII’s reign. The Catholic musical style which Mary encouraged was a very different one from the Papacy’s ideal in the 1550s: Mundy composed on an enormous scale and to him the audibility of the words was of secondary importance beside the free expansion of the melodies, though he clearly appreciated the sensual connotations of his text, which is adapted from the Song of Solomon, as in, for instance, the repetitions of the word ‘Veni’.

The underlying structure of the music is of the greatest importance to its effect, and for this reason we have printed the words divided into their sections. The solos build gradually to the three full sections, of which the last is the climax on the words ‘Veni, veni, veni: caelesti gloria coronaberis. Amen’. To build the more strongly to this last full section, the solo sections also increase in intensity, the last of them using the most spectacular scoring of voices which was available: two trebles, two means and two basses.

from notes by Peter Phillips © 1980

Track-specific metadata
Click track numbers opposite to select

Details for CDGIM998 track 8
Artists
ISRC
GB-ADM-98-00028
Duration
17'55
Recording date
19 December 1996
Recording venue
Merton College Chapel, Oxford, United Kingdom
Recording producer
Steve C Smith & Peter Phillips
Recording engineer
Philip Hobbs
Hyperion usage
  1. The Tallis Scholars Live in Oxford (CDGIM998)
    Disc 1 Track 8
    Release date: September 1994
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