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Mariä Wiegenlied, Op 76 No 52

composer

 
Most of Max Reger’s enormous output consists of extremely complex instrumental music but for his Opus 76 he produced sixty (!) songs which have their origin in folk poetry and song. Number 52 is the Mariä Wiegenlied (‘Mary’s Cradle Song’) which became immediately popular and was transcribed for piano by Reger himself and published in 1924.

from notes by Leslie Howard © 2004

Pour son op.76, Max Reger – dont l’essentiel de l’œuvre colossal est constitué d’une musique instrumentale fort complexe – produisit soixante (!) mélodies puisant toutes leur source dans la poésie et le chant populaires. Rencontrant d’emblée le succès, la mélodie no52, Mariä Wiegenlied («La berceuse de Marie»), fut transcrite pour piano par Reger lui-même et publiée en 1924.

extrait des notes rédigées par Leslie Howard © 2004
Français: Hypérion

Der größte Teil des gewaltigen Œuvres von Max Reger besteht aus extrem komplexen Instrumentalwerken, aber als Opus 76 hat er sechzig (!) Lieder volkstümlichen Ursprungs herausgegeben, und die Nr. 52 ist Mariä Wiegenlied, das von Anfang an populär war und von Reger persönlich für Klavier bearbeitet und 1924 veröffentlicht worden ist.

aus dem Begleittext von Leslie Howard © 2004
Deutsch: Anne Steeb/Bernd Müller

Recordings

Rare Piano Encores
CDH55109

Track-specific metadata for CDA66090 track 4

Artists
ISRC
GB-AJY-04-00904
Duration
2'01
Recording date
25 October 1981
Recording venue
Recording producer
Andrew Keener
Recording engineer
Tony Faulkner
Hyperion usage
  1. Rare Piano Encores (CDA66090)
    Disc 1 Track 4
    Release date: September 1986
    Deletion date: June 2004
    Superseded by CDH55109
  2. Rare Piano Encores (CDH55109)
    Disc 1 Track 4
    Release date: August 2004
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